Category Archives: in the news

Year of the Earth Dog

Happy Chinese New Year.

For me celebrating the Year of the Earth Dog is timely as I have been hunkered down this week, completing a final (I hope) edit of The Dog with Seven Names. It’s a young YA novel set in the Pilbara during 1942 told from the POV of a dog. Yes, I can’t seem to get enough anthropomorphism!

While I’m a boring old buffalo, those lucky people born in dog years are honest and loyal with a strong sense of duty, just like my main character; Flynn/Princess/Gengi + 4 other names.

Welcome to Dianne Wolfer's Website

The research for this book has been fascinating and I’ve learnt so many things about WW2 Australian history. My dog character is a terrier cross, smaller than Harry (pictured above) and writing a story using dog senses has been both fun and challenging.

The Dog with Seven Names will be published by Penguin Random House in August 2018 (assuming I finish this draft!) and I’ll post more news and a sneak peek of the gorgeous cover in a few months. In the meantime, may your Earth Dog celebrations be joyous.

Exciting ‘Shark Caller’ News!

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Photo: Karen Davidson

I’m thrilled to announce that film rights for The Shark Caller (Penguin Random House 2016) have been optioned to New Zealand production company Brown Sugar Apple Grunt Productions (follow their website link for naming explanation ;-).

Kerry Warkia and Kiel McNaughton are producers and creatives that have been at the forefront of some of New Zealand’s most innovative content for television and the web. Passionate about telling Maori and Pasifika stories, their company created the wonderful TV series Find Me a Maori Bride and more recently, the award-winning film Waru. Kerry and Kiel’s say their goal “is to tell stories unique to Aotearoa and the Pacific and that reach local and international audiences. Our passion is innovative culturally relevant and diverse content with multi-ethnic and indigenous stories, characters, cast and creatives that celebrate diversity.”

The director for the film will be Veialu Aila-Unsworth whose animated short film Blue Willow was selected for Berlinale and screened in 26 film festivals. Veialu says she was “so excited when Kerry and Kiel contacted me about this project: chances like this do not come very often. For me, working on The Shark Caller with Kerry is a rare and wonderful opportunity to promote our shared heritage, to give a voice to our culture, to promote strong female lead roles both in front of the camera and behind, and to tell a beautiful family story that is deeply unique to our homeland.”

I share Veialu’s passion for strong female characters and am so excited to begin this creative journey with Brown Sugar Apple Grunt Productions. I can’t wait to see how Kerry, Kiel, Veialu and the team bring my characters (both human and marine) to life. Thank you to my agent Clive Newman and Penguin Random House Australia for facilitating this cross-Tasman partnership. And to Publisher Zoe Walton for her enthusiasm and the following kind words.

“I’m over the moon that Dianne Wolfer’s The Shark Caller has been optioned by Brown Sugar Apple Grunt Productions. It will make the most amazing film, with its visually spectacular ocean world combined with the heartwarming story of a girl learning about her family’s traditions and bravely stepping up to take on a dangerous but important challenge. Izzy’s story is in good hands with Kerry, Kiel and Veialu.”

More details next year 🙂

 

 

 

 

 

Summer Reading #1

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Last week (on Dianne Wolfer – Author) I posted a photo of my first batch of summer reads. I’m making good progress and have already finished Kate Constable’s New Guinea Moon which I very much enjoyed. The story has satisfying and unexpected twists. It’s marketed at a YA audience but like so many teen novels is just as enjoyable for adults. I’m drawn to books with PNG settings; three of my own works unfold there (The Shark Caller is set in the New Ireland Province and Photographs in the Mud is set along the Kokoda Track in 1942). The backdrop for New Guinea Moon is in the Highlands, pre-independence, a time when things are changing for both Nationals and expat Australians. Kate grew up in PNG and her use of local language and culture rings true.

My next read was fun. I have several ideas bubbling for emerging readers and so have been reading titles from the hugely successful I Can Read! series. Think Berenstain Bears, Fancy Nancy and Flat StanleyDanny and the Dinosaur – Too Tall is a great example of a concise book with exciting characters and a compelling, exciting plot. How on earth does Syd Hoff weave this magic in 32 pages? Stories with depth that appear ‘simple’ are hard to create – editing, shaping, editing …

 Michael Morpungo’s books make me cry. They are so good. I love animal characters and Morpungo is a Master of creating stories with powerful links between animals and humans and thought-provoking moments in history. After re-reading his poignant and lovely I Believe in Unicorns, I’ve been visiting Michael Morpungo’s website. I knew he was a prolific writer and I loved Shadow (set in Afghanistan), but there are so many others that look enticing. Perhaps I’ll spend summer reading all his animal novels… I’ve also just noticed that this month he’s releasing Lucky Button. After the synchronicity of the War Horse movie being released just before the launch of Light Horse Boy, I’m glad my Nanna’s Button Tin came out in June.

I’ll be posting more Summer reading blogs over the next few months. My Want-to-Read book tower is tall but I always love hearing recommendations …

 

In the Lamplight

With Remembrance Day this Saturday and the final draft of my new manuscript going to print, it feels timely to share a sneak peek of the cover of this third title in my ‘Light’ series.

Rose cover

In the Lamplight is a companion novel for my historical titles Lighthouse Girl and Light Horse Boy. The story follows fictitious Rose through WWI and overlaps with Jim’s Light Horse journey, then links back to Albany’s King George Sound. Thank you to the Department of Local Government, Sport and Cultural Industries, whose generous support allowed me time to write a first draft. Here is the blurb:

Rose O’Reilly’s sheltered life in the peaceful English village of Harefield takes an unexpected turn with the outbreak of war in 1914. A local manor house becomes a repatriation hospital for wounded Australian soldiers and Rose begins helping out by reading to patients and pushing wheelchairs. 

As the war progresses, and slouch hats fill the village green, Rose’s skills grow and she begins training alongside the Australian nurses. Then a new patient arrives. Sergeant Jim O’Donnell is unable to walk and his eyes are bandaged, but he will change Rose’s life forever.  

In the Lamplight will be published by Fremantle Press in April 2018. I’m currently taking (WA) bookings for school/library visits in the last two weeks of Term 1. Please email me (contact tab) if your school would like an Anzac themed presentation (ASA rates and small travel fee). I’ll also be visiting schools in the eastern states, probably early Term 2. I’ll post again with more details and launch information early in 2018.

 

The Literature Centre – Fremantle

Last week I had the pleasure of working with Year 6 students from across Perth as part of The Literature Centre’s Talented Young Writers’ program.

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We crammed a range of springboard writing activities into one day and I was impressed by the students’ creativity and eagerness to try new ideas and share first drafts. The Talented Young Writers’ Programme is unique. Its aim being to nurture a group of students over several years. Young writers (in Perth and regional centres) work with four writers each year. The educational benefits are multi-faceted and assuming ongoing funding can be found, the future of story-telling in WA is in excellent hands.

My sessions came hot on the heels of The Centre’s 2017 Celebrate Reading Conference so last weekend I was fortunate to attend the second day and hear inspirational sessions by Gus Gordon, Meg McKinlay, Kyle Hughes-Odgers, Deb Abela, Mark Wilson, Anna Fienberg, Jeannie Baker and Australian Children’s Laureate Leigh Hobbs.

Thank you Lesley Reece, Beck Blaxell and everyone at The Literature Centre for a wonderful week. I’ve come home tired but brimful of ideas and inspiration! If anyone is able to support The Centre by becoming a Friend, just click on this link.

 

 

 

Light Horse and Beersheba

With the 100 year commemoration of Beersheba it feels timely to share some background to my historical story, Light Horse Boy. I was recently invited to contribute text to the Westbury RSL Light Horse Remembrance. Here is part of that tribute:

lighthorse rsl

Light Horse Boy was sparked by research for its companion title, Lighthouse Girl.

As I read about the thousands of Walers taken to WWI battlefields and the bonds between the horses and Australian soldiers, I knew I needed to write a second book. My writing journey spanned three years. I became fascinated by the story of Sandy. For me he represented all the Walers; those faithful and brave horses that didn’t come home. As I learnt more about Sandy, the shape of my manuscript changed. I found a reason to shift my fictitious human character, Jim from the troopship Wiltshire to the flagship Orvieto, by making him a farrier, thus allowing Jim to meet Major General Bridges and Sandy, and for their stories to interweave. After four years of battle I then wanted to find a way for Jim and Sandy to reunite, so that I could introduce young readers to Sandy’s story.

I live in Albany, the place where troopships of the 1st and 2nd AIF convoys gathered in late 1914, now home to the National Anzac Centre and the iconic Desert Mounted Corps Memorial, a recast of the original horse and soldier statue erected at Suez in 1932. Each Anzac Day a Dawn Service is held beside this powerful memorial. I’ve often gazed at the evocative statue imagining the stories of Light Horse men and their mounts.

My Light Horse Boy research took me to the Gallipoli Peninsula, Major General Bridges’ grave in Canberra, Maribyrnong, home of the remount centre where Sandy spent his post-war years and the AWM Research Centre. Along the way I learnt the names of faraway battlefields; El Arish, Magdhaba, Romani, Gaza and of course Beersheba.

Crafting an historical novel, for me, involves months of research, then I write (well over a hundred drafts) until a solid read-through version emerges. Then the hard work begins; shaping and editing, trying to cull anything that doesn’t add to the story arc. The final draft is like the tip of an iceberg. Readers will be unaware of the shaping and substance below, but that weighty base is important. The Beersheba scene in my story typifies this. For the spread above, I read several military titles, trying first to fully understand nuances of this extraordinary charge and then to capture the heart of this battle in an engaging way for young readers. Most of all I wanted to ‘get it right’ as a way to honour those who served – both human and animal.

Lest we Forget.

 

Bookweek/Bookmonth – where’s Dianne?

Each August Australian children’s authors and illustrators pack their bags and shift into overdrive visiting schools and libraries across the country to celebrate CBCA‘s Children’s Bookweek. Sessions began early this year with Great Southern Grammar’s exciting Southern Sea of Words last weekend. I had a lovely time with authors Mark Greenwood, Susannah McFarlane, Norman Jorgensen, Kylie Howarth and Sian Turner presenting workshops to young GSG readers.

GSG pic

Kylie Howarth, Susannah McFarlane, Norman Jorgensen, Karen Bradbury Mark Greenwood, Me. Photo kind courtesy Jan Nicholls

The fun continues this Friday when I visit IONA Presentation College to meet the Year 7 girls and talk about Lighthouse Girl , one of their annual reading texts. Every year I am impressed by the maturity, wisdom and grace of the IONA girls (and the staff spoil me with lovely food). I’m sure this year will be no exception.

On Saturday 12th and Sunday 13th you’ll then find me at  the 2017 Sunshine Coast Readers and Writers Festival. There’s a great range of presenters. I’m looking forward to sessions focussing on PNG and also the children’s events on Sunday. My talks will focus on crafting animal characters (my PhD research) and my Page to Stage journey; the Black Swan adaptation of Lighthouse Girl/Light Horse Boy as well as the PIAF Giants event.

Then on Monday 14th August I’ll be visiting students at Nambour Christian College and on Wednesday 16th I will be signing books at Berkelouw Bookshop in Eumundi. Then it’s back to Brisbane where I will deliver sessions at Holland Park Library linked to the Anzac Stories Behind the Pages Exhibition. In between I’m looking forward to a catch-up with one of my Qld sisters, Wendy.

Back in Perth and following the announcement of the Bookweek winners on Friday 18th, I’ll be joining SCBWI and CBCA buddies at the CBCA WA dinner. This year it’s dress-up attire and so I’m on the look out for a simple shark costume. Any suggestions welcome!!

Half way through the busy month (phew), and the Anzac Stories Behind the Pages Exhibition comes to Albany and the Great Southern…

This year Bookweek will be spent in Albany, Mt Barker and Gnowangerup. The following week, I’ll be in Broomehill, Tambellup, Pingrup and Denmark. Then Children’s Bookmonth spills into September with visits to Walpole, Cranbrook finishing in lovely Bremer Bay on Wednesday 6th.

August is an exciting and crazy time of the year for me and I’m looking forward to meeting thousands of young readers. This year’s motto Escape to Everywhere feels apt!