Category Archives: Light Horse Boy

In the Lamplight

With Remembrance Day this Saturday and the final draft of my new manuscript going to print, it feels timely to share a sneak peek of the cover of this third title in my ‘Light’ series.

Rose cover

In the Lamplight is a companion novel for my historical titles Lighthouse Girl and Light Horse Boy. The story follows fictitious Rose through WWI and overlaps with Jim’s Light Horse journey, then links back to Albany’s King George Sound. Thank you to the Department of Local Government, Sport and Cultural Industries, whose generous support allowed me time to write a first draft. Here is the blurb:

Rose O’Reilly’s sheltered life in the peaceful English village of Harefield takes an unexpected turn with the outbreak of war in 1914. A local manor house becomes a repatriation hospital for wounded Australian soldiers and Rose begins helping out by reading to patients and pushing wheelchairs. 

As the war progresses, and slouch hats fill the village green, Rose’s skills grow and she begins training alongside the Australian nurses. Then a new patient arrives. Sergeant Jim O’Donnell is unable to walk and his eyes are bandaged, but he will change Rose’s life forever.  

In the Lamplight will be published by Fremantle Press in April 2018. I’m currently taking (WA) bookings for school/library visits in the last two weeks of Term 1. Please email me (contact tab) if your school would like an Anzac themed presentation (ASA rates and small travel fee). I’ll also be visiting schools in the eastern states, probably early Term 2. I’ll post again with more details and launch information early in 2018.

 

Light Horse and Beersheba

With the 100 year commemoration of Beersheba it feels timely to share some background to my historical story, Light Horse Boy. I was recently invited to contribute text to the Westbury RSL Light Horse Remembrance. Here is part of that tribute:

lighthorse rsl

Light Horse Boy was sparked by research for its companion title, Lighthouse Girl.

As I read about the thousands of Walers taken to WWI battlefields and the bonds between the horses and Australian soldiers, I knew I needed to write a second book. My writing journey spanned three years. I became fascinated by the story of Sandy. For me he represented all the Walers; those faithful and brave horses that didn’t come home. As I learnt more about Sandy, the shape of my manuscript changed. I found a reason to shift my fictitious human character, Jim from the troopship Wiltshire to the flagship Orvieto, by making him a farrier, thus allowing Jim to meet Major General Bridges and Sandy, and for their stories to interweave. After four years of battle I then wanted to find a way for Jim and Sandy to reunite, so that I could introduce young readers to Sandy’s story.

I live in Albany, the place where troopships of the 1st and 2nd AIF convoys gathered in late 1914, now home to the National Anzac Centre and the iconic Desert Mounted Corps Memorial, a recast of the original horse and soldier statue erected at Suez in 1932. Each Anzac Day a Dawn Service is held beside this powerful memorial. I’ve often gazed at the evocative statue imagining the stories of Light Horse men and their mounts.

My Light Horse Boy research took me to the Gallipoli Peninsula, Major General Bridges’ grave in Canberra, Maribyrnong, home of the remount centre where Sandy spent his post-war years and the AWM Research Centre. Along the way I learnt the names of faraway battlefields; El Arish, Magdhaba, Romani, Gaza and of course Beersheba.

Crafting an historical novel, for me, involves months of research, then I write (well over a hundred drafts) until a solid read-through version emerges. Then the hard work begins; shaping and editing, trying to cull anything that doesn’t add to the story arc. The final draft is like the tip of an iceberg. Readers will be unaware of the shaping and substance below, but that weighty base is important. The Beersheba scene in my story typifies this. For the spread above, I read several military titles, trying first to fully understand nuances of this extraordinary charge and then to capture the heart of this battle in an engaging way for young readers. Most of all I wanted to ‘get it right’ as a way to honour those who served – both human and animal.

Lest we Forget.

 

What’s in a Name?

media2   If it’s a book title, a lot!

For a year or so, I’ve been struggling with finding the right title for my almost completed manuscript, a companion title for Lighthouse Girl and Light Horse Boy. For continuity reasons I wanted the word ‘light’ somewhere in the title. We aren’t meant to judge a book by it’s cover, but research indicates that many of us do.

This story has been on the back-burner since 2011 when I visited the Anzac cemetery in the UK village of Harefield to research another idea (more about that journey in future posts). Ideas bubbled away as I completed other projects and then last year, at last, I was able to give this story dedicated time (thank you Department of Local Government, Sport and Cultural Industries). While the manuscript was a work-in-progress I initially referred to it as Quarantine Rose; a shocker of a title which I knew would never be the one. I couldn’t change my central character’s name because Rose is an overlap character with Light Horse Boy. For a while the title shifted to Rose on No Man’s Land, linking the story to a popular WWI song. However Rose works in a hospital not on the battlefield.

As the manuscript took shape I knew I needed a better title. At the annual SCBWI Rottnest retreat, fellow author Norman Jorgensen came up with the evocative Light from a Broken Lantern, however as the story progressed, there was more hope than brokenness. Sorry Norm!

Sometimes the right title appears at the same time as the first story idea. Other titles involve weeks of compiling lists and thesaurus trawling. Lighthouse Girl for a long while was Postcards from Breaksea, or simply Postcards. Then about two years into the four year writing process, the current tile settled. For Light Horse Boy, the final title was always the one.

With my going-to-print deadline quickly approaching, this month I sent out a cry for help. Thank you friends and family, writer group peers, bookgroupies and others who answered my call. You offered so many great suggestions. Even the cheeky suggestions from family were useful, as they sparked other ideas using the words light, shadow and darkness.

Meanwhile Fremantle Press have been market-testing one of the options on our short-list of title choices and I am pleased to finally announce that the title has been decided. The book will be called In the Lamplight. Tentative release date is April 2018. I hope readers will enjoy this new addition to the ‘light’ series. Thanks again to all the wonderful title-hunters for your kind suggestions…

Bookweek/Bookmonth – where’s Dianne?

Each August Australian children’s authors and illustrators pack their bags and shift into overdrive visiting schools and libraries across the country to celebrate CBCA‘s Children’s Bookweek. Sessions began early this year with Great Southern Grammar’s exciting Southern Sea of Words last weekend. I had a lovely time with authors Mark Greenwood, Susannah McFarlane, Norman Jorgensen, Kylie Howarth and Sian Turner presenting workshops to young GSG readers.

GSG pic

Kylie Howarth, Susannah McFarlane, Norman Jorgensen, Karen Bradbury Mark Greenwood, Me. Photo kind courtesy Jan Nicholls

The fun continues this Friday when I visit IONA Presentation College to meet the Year 7 girls and talk about Lighthouse Girl , one of their annual reading texts. Every year I am impressed by the maturity, wisdom and grace of the IONA girls (and the staff spoil me with lovely food). I’m sure this year will be no exception.

On Saturday 12th and Sunday 13th you’ll then find me at  the 2017 Sunshine Coast Readers and Writers Festival. There’s a great range of presenters. I’m looking forward to sessions focussing on PNG and also the children’s events on Sunday. My talks will focus on crafting animal characters (my PhD research) and my Page to Stage journey; the Black Swan adaptation of Lighthouse Girl/Light Horse Boy as well as the PIAF Giants event.

Then on Monday 14th August I’ll be visiting students at Nambour Christian College and on Wednesday 16th I will be signing books at Berkelouw Bookshop in Eumundi. Then it’s back to Brisbane where I will deliver sessions at Holland Park Library linked to the Anzac Stories Behind the Pages Exhibition. In between I’m looking forward to a catch-up with one of my Qld sisters, Wendy.

Back in Perth and following the announcement of the Bookweek winners on Friday 18th, I’ll be joining SCBWI and CBCA buddies at the CBCA WA dinner. This year it’s dress-up attire and so I’m on the look out for a simple shark costume. Any suggestions welcome!!

Half way through the busy month (phew), and the Anzac Stories Behind the Pages Exhibition comes to Albany and the Great Southern…

This year Bookweek will be spent in Albany, Mt Barker and Gnowangerup. The following week, I’ll be in Broomehill, Tambellup, Pingrup and Denmark. Then Children’s Bookmonth spills into September with visits to Walpole, Cranbrook finishing in lovely Bremer Bay on Wednesday 6th.

August is an exciting and crazy time of the year for me and I’m looking forward to meeting thousands of young readers. This year’s motto Escape to Everywhere feels apt!

From Book to Play – Black Swan Theatre’s adaptation of ‘Lighthouse Girl’ and ‘Light Horse Boy’

I started this blog post a month ago – it’s been busy – and although late, I wanted to share my response to the wonderful Black Swan Theatre adaptation before my next post about Nanna’s Button Tin

On Saturday night (29/4/17) I sat in the darkness of the Albany Entertainment Centre and watched Hellie Turner’s wonderful adaptation of my books Lighthouse Girl and Light Horse Boy. I laughed and cried and experienced a lovely shiver each time I heard my own words woven into those of Hellie’s.

black swan publicity

Hellie Turner is an award-winning WA playwright. It was an honour to entrust my stories to her creativity. Hellie says that writing a first draft was ‘a gruelling joy’. Gruelling in that she needed to be immersed into ‘the carnage of war’ and a joy because she was ‘reminded of the remarkable resilience of the human spirit.’  Hellie’s words resonated for me, as writing the books was also like that.

The Perth opening was as exciting as the Albany Premiere, albeit a little more formal, with Her Excellency The Governor and other dignitaries attending. Our seats were closer to the stage and offered an intimate viewpoint as events on stage unfolded.

This is the first time that I’ve watched the same play three times and so it was interesting to experience different audience reactions. Each night there was almost visceral connection between those on stage and those watching. And that connection varied. People laughed and cried at slightly different places. The shared breathing in and out held small differences which was fascinating. As an author you don’t get to witness that intimate connection with a reader.

I loved so many things about the stage adaptation of Lighthouse Girl/Boy; the actors each gave excellent performances, capturing small character nuances helped by effective and lovely costuming (Fay’s large overcoat was perfect) and Lawrie Cullen-Tait’s set was masterful. Her clever design enabled the audience to imagine the one space as a lighthouse-keeper’s cottage, an island outcrop and a pyramid (as well as other things). The design was influenced by Albany’s rocky landscape, the diamond leadlight shapes of the Breaksea Lighthouse while suggestive railings paid ‘homage to the countless dead’. Joe Lui’s evocative lighting added to the mood throughout the play and Brett Smith’s sound/music design was beautiful, particularly the final haunting rendition of The Girl I Left Behind.

Congratulations to Stuart Halusz for directing the talents of these creatives, and others not mentioned specifically, to make this production so special. Stuart was inspired by memorials in small towns across Australia and in particular an artefact found in a small museum in Beechworth near my home-town Albury.

Thank you to BST Publicist Irene Jarzabek for making both Opening Nights so special, my agent Clive Newman and to all at Black Swan Theatre and Fremantle Press who helped bring Lighthouse Girl to the stage. Finally, my heartfelt thanks to Garry Snowden, General Manager of the Albany Entertainment Centre, whose enthusiasm and ongoing belief (over many years) has brought this project to fruition.

Capel Library Anzac Evening

IMGP9072Last week, Susan Dalgleish and her team at the Shire of Capel Library organised a terrific Anzac event in conjunction with the Capel RSL. It was attended by a wide cross-section of the local population. Planning began last November with the amazing Lesley Jackes at an author event in Albany commemorating the Departure of the 1st AIF (see previous post).

Susan and the Capel Library staff are passionate about history and literacy. They created interesting displays and an inspirational program that began with local group, ‘The Wednesday Girls’ singing songs from the WW1 era to set the mood. Daniel McDonald from the 10th Light Horse arrived in full kit and brought along a life-size horse which was also kitted out with WW1 equipment. It’s always fascinating to see how much gear those strong Walers carried.

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IMGP9125Members of the Capel RSL sub-branch including Vice President Alan Kelly Parker were on hand to answer questions and give introductions. We also heard a fascinating account of April Jenkins’ WW1 archaeological work in Jordan. I was very touched by Light Horse Boy book review readings by Jordi and Fraser Milner and also their mother, Naomi. Thanks guys.

The library boasted an impressive collection of WW1 postcards, books and mementos – many of which I coveted (especially those stirrups) !

Thanks to the library and RSL for a great event, and also for my gifts; a beautiful scarf, book and Anzac biscuits. Thanks to Georgie Carter for her help with book sales (way more than we expected) and to Tracey Doyle for hosting me so well at Capel Primary. Finally a big thank you to students Lily and Bradley for all your help. Meeting you both was a highlight!  Keep reading and writing…

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Kick off with Reading

Moss Vale High School have a fantastic program called Kick off with Reading. From what I can understand, it’s kind of like a whole school bookgroup, with every student reading the same book. What a great concept! I will know more soon because the book they have chosen this year is my Light Horse Boy.

harry reading

I’m feeling so honoured and can’t wait to meet the students and their forward-thinking teachers next week. Here is a teaser from The Southern Highland News.

More soon…