Dianne Wolfer

Exciting ‘Shark Caller’ News!

I’m thrilled to announce that film rights for The Shark Caller (Penguin Random House 2016) have been optioned to New Zealand production company Brown Sugar Apple Grunt Productions (follow their website link for naming explanation ;-).

Kerry Warkia and Kiel McNaughton are producers and creatives that have been at the forefront of some of New Zealand’s most innovative content for television and the web. Passionate about telling Maori and Pasifika stories, their company created the wonderful TV series Find Me a Maori Bride and more recently, the award-winning film Waru. Kerry and Kiel’s say their goal “is to tell stories unique to Aotearoa and the Pacific and that reach local and international audiences. Our passion is innovative culturally relevant and diverse content with multi-ethnic and indigenous stories, characters, cast and creatives that celebrate diversity.”

The director for the film will be Veialu Aila-Unsworth whose animated short film Blue Willow was selected for Berlinale and screened in 26 film festivals. Veialu says she was “so excited when Kerry and Kiel contacted me about this project: chances like this do not come very often. For me, working on The Shark Caller with Kerry is a rare and wonderful opportunity to promote our shared heritage, to give a voice to our culture, to promote strong female lead roles both in front of the camera and behind, and to tell a beautiful family story that is deeply unique to our homeland.”

I share Veialu’s passion for strong female characters and am so excited to begin this creative journey with Brown Sugar Apple Grunt Productions. I can’t wait to see how Kerry, Kiel, Veialu and the team bring my characters (both human and marine) to life. Thank you to my agent Clive Newman and Penguin Random House Australia for facilitating this cross-Tasman partnership. And to Publisher Zoe Walton for her enthusiasm and the following kind words.

“I’m over the moon that Dianne Wolfer’s The Shark Caller has been optioned by Brown Sugar Apple Grunt Productions. It will make the most amazing film, with its visually spectacular ocean world combined with the heartwarming story of a girl learning about her family’s traditions and bravely stepping up to take on a dangerous but important challenge. Izzy’s story is in good hands with Kerry, Kiel and Veialu.”

More details next year 🙂

Summer Reading #1

book

Last week (on Dianne Wolfer – Author) I posted a photo of my first batch of summer reads. I’m making good progress and have already finished Kate Constable’s New Guinea Moon which I very much enjoyed. The story has satisfying and unexpected twists. It’s marketed at a YA audience but like so many teen novels is just as enjoyable for adults. I’m drawn to books with PNG settings; three of my own works unfold there (The Shark Caller is set in the New Ireland Province and Photographs in the Mud is set along the Kokoda Track in 1942). The backdrop for New Guinea Moon is in the Highlands, pre-independence, a time when things are changing for both Nationals and expat Australians. Kate grew up in PNG and her use of local language and culture rings true.

My next read was fun. I have several ideas bubbling for emerging readers and so have been reading titles from the hugely successful I Can Read! series. Think Berenstain Bears, Fancy Nancy and Flat Stanley. Danny and the Dinosaur – Too Tall is a great example of a concise book with exciting characters and a compelling, exciting plot. How on earth does Syd Hoff weave this magic in 32 pages? Stories with depth that appear ‘simple’ are hard to create – editing, shaping, editing …

Michael Morpungo’s books make me cry. They are so good. I love animal characters and Morpungo is a Master of creating stories with powerful links between animals and humans and thought-provoking moments in history. After re-reading his poignant and lovely I Believe in Unicorns, I’ve been visiting Michael Morpungo’s website. I knew he was a prolific writer and I loved Shadow (set in Afghanistan), but there are so many others that look enticing. Perhaps I’ll spend summer reading all his animal novels… I’ve also just noticed that this month he’s releasing Lucky Button. After the synchronicity of the War Horse movie being released just before the launch of Light Horse Boy, I’m glad my Nanna’s Button Tin came out in June.

I’ll be posting more Summer reading blogs over the next few months. My Want-to-Read book tower is tall but I always love hearing recommendations …

In the Lamplight

With Remembrance Day this Saturday and the final draft of my new manuscript going to print, it feels timely to share a sneak peek of the cover of this third title in my ‘Light’ series.

Rose cover

In the Lamplight is a companion novel for my historical titles Lighthouse Girl and Light Horse Boy. The story follows fictitious Rose through WWI and overlaps with Jim’s Light Horse journey, then links back to Albany’s King George Sound. Thank you to the Department of Local Government, Sport and Cultural Industries, whose generous support allowed me time to write a first draft. Here is the blurb:

Rose O’Reilly’s sheltered life in the peaceful English village of Harefield takes an unexpected turn with the outbreak of war in 1914. A local manor house becomes a repatriation hospital for wounded Australian soldiers and Rose begins helping out by reading to patients and pushing wheelchairs.

As the war progresses, and slouch hats fill the village green, Rose’s skills grow and she begins training alongside the Australian nurses. Then a new patient arrives. Sergeant Jim O’Donnell is unable to walk and his eyes are bandaged, but he will change Rose’s life forever.

In the Lamplight will be published by Fremantle Press in April 2018. I’m currently taking (WA) bookings for school/library visits in the last two weeks of Term 1. Please email me (contact tab) if your school would like an Anzac themed presentation (ASA rates and small travel fee). I’ll also be visiting schools in the eastern states, probably early Term 2. I’ll post again with more details and launch information early in 2018.

The Literature Centre – Fremantle

Last week I had the pleasure of working with Year 6 students from across Perth as part of The Literature Centre’s Talented Young Writers’ program.

lit

We crammed a range of springboard writing activities into one day and I was impressed by the students’ creativity and eagerness to try new ideas and share first drafts. The Talented Young Writers’ Programme is unique. Its aim being to nurture a group of students over several years. Young writers (in Perth and regional centres) work with four writers each year. The educational benefits are multi-faceted and assuming ongoing funding can be found, the future of story-telling in WA is in excellent hands.

My sessions came hot on the heels of The Centre’s 2017 Celebrate Reading Conference so last weekend I was fortunate to attend the second day and hear inspirational sessions by Gus Gordon, Meg McKinlay, Kyle Hughes-Odgers, Deb Abela, Mark Wilson, Anna Fienberg, Jeannie Baker and Australian Children’s Laureate Leigh Hobbs.

Thank you Lesley Reece, Beck Blaxell and everyone at The Literature Centre for a wonderful week. I’ve come home tired but brimful of ideas and inspiration! If anyone is able to support The Centre by becoming a Friend, just click on this link.

Light Horse and Beersheba

With the 100 year commemoration of Beersheba it feels timely to share some background to my historical story, Light Horse Boy. I was recently invited to contribute text to the Westbury RSL Light Horse Remembrance. Here is part of that tribute:

lighthorse rsl

Light Horse Boy was sparked by research for its companion title, Lighthouse Girl.

As I read about the thousands of Walers taken to WWI battlefields and the bonds between the horses and Australian soldiers, I knew I needed to write a second book. My writing journey spanned three years. I became fascinated by the story of Sandy. For me he represented all the Walers; those faithful and brave horses that didn’t come home. As I learnt more about Sandy, the shape of my manuscript changed. I found a reason to shift my fictitious human character, Jim from the troopship Wiltshire to the flagship Orvieto, by making him a farrier, thus allowing Jim to meet Major General Bridges and Sandy, and for their stories to interweave. After four years of battle I then wanted to find a way for Jim and Sandy to reunite, so that I could introduce young readers to Sandy’s story.

I live in Albany, the place where troopships of the 1^st and 2^nd AIF convoys gathered in late 1914, now home to the National Anzac Centre and the iconic Desert Mounted Corps Memorial, a recast of the original horse and soldier statue erected at Suez in 1932. Each Anzac Day a Dawn Service is held beside this powerful memorial. I’ve often gazed at the evocative statue imagining the stories of Light Horse men and their mounts.

My Light Horse Boy research took me to the Gallipoli Peninsula, Major General Bridges’ grave in Canberra, Maribyrnong, home of the remount centre where Sandy spent his post-war years and the AWM Research Centre. Along the way I learnt the names of faraway battlefields; El Arish, Magdhaba, Romani, Gaza and of course Beersheba.

Crafting an historical novel, for me, involves months of research, then I write (well over a hundred drafts) until a solid read-through version emerges. Then the hard work begins; shaping and editing, trying to cull anything that doesn’t add to the story arc. The final draft is like the tip of an iceberg. Readers will be unaware of the shaping and substance below, but that weighty base is important. The Beersheba scene in my story typifies this. For the spread above, I read several military titles, trying first to fully understand nuances of this extraordinary charge and then to capture the heart of this battle in an engaging way for young readers. Most of all I wanted to ‘get it right’ as a way to honour those who served – both human and animal.

Lest we Forget.

What’s in a Name?

If it’s a book title, a lot!

For a year or so, I’ve been struggling with finding the right title for my almost completed manuscript, a companion title for Lighthouse Girl and Light Horse Boy. For continuity reasons I wanted the word ‘light’ somewhere in the title. We aren’t meant to judge a book by it’s cover, but research indicates that many of us do.

This story has been on the back-burner since 2011 when I visited the Anzac cemetery in the UK village of Harefield to research another idea (more about that journey in future posts). Ideas bubbled away as I completed other projects and then last year, at last, I was able to give this story dedicated time (thank you Department of Local Government, Sport and Cultural Industries). While the manuscript was a work-in-progress I initially referred to it as Quarantine Rose; a shocker of a title which I knew would never be the one. I couldn’t change my central character’s name because Rose is an overlap character with Light Horse Boy. For a while the title shifted to Rose on No Man’s Land, linking the story to a popular WWI song. However Rose works in a hospital not on the battlefield.

As the manuscript took shape I knew I needed a better title. At the annual SCBWI Rottnest retreat, fellow author Norman Jorgensen came up with the evocative Light from a Broken Lantern, however as the story progressed, there was more hope than brokenness. Sorry Norm!

Sometimes the right title appears at the same time as the first story idea. Other titles involve weeks of compiling lists and thesaurus trawling. Lighthouse Girl for a long while was Postcards from Breaksea, or simply Postcards. Then about two years into the four year writing process, the current tile settled. For Light Horse Boy, the final title was always the one.

With my going-to-print deadline quickly approaching, this month I sent out a cry for help. Thank you friends and family, writer group peers, bookgroupies and others who answered my call. You offered so many great suggestions. Even the cheeky suggestions from family were useful, as they sparked other ideas using the words light, shadow and darkness.

Meanwhile Fremantle Press have been market-testing one of the options on our short-list of title choices and I am pleased to finally announce that the title has been decided. The book will be called In the Lamplight. Tentative release date is April 2018. I hope readers will enjoy this new addition to the ‘light’ series. Thanks again to all the wonderful title-hunters for your kind suggestions…

Bookweek/Bookmonth – where’s Dianne?

Each August Australian children’s authors and illustrators pack their bags and shift into overdrive visiting schools and libraries across the country to celebrate CBCA‘s Children’s Bookweek. Sessions began early this year with Great Southern Grammar’s exciting Southern Sea of Words last weekend. I had a lovely time with authors Mark Greenwood, Susannah McFarlane, Norman Jorgensen, Kylie Howarth and Sian Turner presenting workshops to young GSG readers.

GSG pic — Kylie Howarth, Susannah McFarlane, Norman Jorgensen, Karen Bradbury Mark Greenwood, Me. Photo kind courtesy Jan Nicholls

The fun continues this Friday when I visit IONA Presentation College to meet the Year 7 girls and talk about Lighthouse Girl , one of their annual reading texts. Every year I am impressed by the maturity, wisdom and grace of the IONA girls (and the staff spoil me with lovely food). I’m sure this year will be no exception.

On Saturday 12th and Sunday 13th you’ll then find me at the 2017 Sunshine Coast Readers and Writers Festival. There’s a great range of presenters. I’m looking forward to sessions focussing on PNG and also the children’s events on Sunday. My talks will focus on crafting animal characters (my PhD research) and my Page to Stage journey; the Black Swan adaptation of Lighthouse Girl/Light Horse Boy as well as the PIAF Giants event.

Then on Monday 14th August I’ll be visiting students at Nambour Christian College and on Wednesday 16th I will be signing books at Berkelouw Bookshop in Eumundi. Then it’s back to Brisbane where I will deliver sessions at Holland Park Library linked to the Anzac Stories Behind the Pages Exhibition. In between I’m looking forward to a catch-up with one of my Qld sisters, Wendy.

Back in Perth and following the announcement of the Bookweek winners on Friday 18th, I’ll be joining SCBWI and CBCA buddies at the CBCA WA dinner. This year it’s dress-up attire and so I’m on the look out for a simple shark costume. Any suggestions welcome!!

Half way through the busy month (phew), and the Anzac Stories Behind the Pages Exhibition comes to Albany and the Great Southern…

This year Bookweek will be spent in Albany, Mt Barker and Gnowangerup. The following week, I’ll be in Broomehill, Tambellup, Pingrup and Denmark. Then Children’s Bookmonth spills into September with visits to Walpole, Cranbrook finishing in lovely Bremer Bay on Wednesday 6th.

August is an exciting and crazy time of the year for me and I’m looking forward to meeting thousands of young readers. This year’s motto Escape to Everywhere feels apt!

International Shark Week – Reef Adventures

Happy International Shark Week!

I’m fortunate to be celebrating the occasion on a Pacific island, taking a week’s break before August; a month of Festival/Library/School visits and Bookshop events (more details next post).

Snorkelling here everyday reminds me how observing the busy minutiae of life on a coral reef inspired my novel The Shark Caller. So much is happening on even the smallest reef. Tiny fish, bright coloured, striped, spotted and plain, dart under rocks, hide in anemone or between coral scaffolding, while larger fish chase them or snuffle through sand or chew coral. Meanwhile the slower sea slugs and starfish make interesting patterns in the sand.

snorkelling trimmed

The island we are visiting is a sanctuary for turtles and sea snakes. Swimming with the former is a bucket-list delight. I’m trying to get used to the latter. Overcoming fear of strange creatures is something Izzy needed to do in Shark Caller to complete her quest. Like Izzy, I often find that adventure involves duality, it’s one of the themes that interested me during the long writing process of this book. The Shark Caller plot explores twin bonds and aspects of our shadow sides. It’s about light/darkness as well seeing degrees of ‘good’ and ‘evil’ within characters (and ourselves). And as I snorkel, I still wonder why creatures like octopus and sea snakes spook me whilst I seek out other (also strange) creatures like turtles.

The lagoon here seems too shallow for sharks (certainly no mako…), however yesterday I did see another creature from the story. From the vantage point of the jetty at low tide, I watched three different octopus, none as scary as Pyrena thank goodness although one was largish… I find octopus exquisitely creepy as they writhe across the sea floor uncurling their arms then suddenly jetting away when they’re disturbed. They’re intelligent and noble in their own weird way, but I prefer to have space between us.

Swimming above gaps under rocky overhangs reminds me of another aspect of the story, imagined passages to ocean vents and otherworldly creatures. I don’t think this lagoon hides underwater tunnels, but I guess you never know!

When I began writing this blog I found a long ago shark post which I forgot to publish. I drafted it soon after the release of The Shark Caller, as the first reviews began to arrive – always an exciting moment when they’re positive. I smiled when I read the opening line of the very first review by Joy Lawn in Books +Publishing:

The Shark Caller breaks new ground in junior YA fiction.

And was honoured to receive the following praise from living legend Hazel Edwards OAM (author of the famed Hippo on Roof books) in Goodreads:

This is the best book for the 10-12 ish age group that I have read this year. Highly commended for adults too. And it’s a pleasure to savour the language.

Author Heather Waugh‘s comment was rather octopus-like: ‘it lured me in and held me. It’s been a while since I’ve read magic realism, and I sank back into it like a comfy couch.’

But my favourite review came from primary student Lila, who says:

Dad, Mum and I have just finished your book Shark Caller and we all loved it. Mum and Dad loved it so much they had to read it after I went to bed, and Dad couldn’t put it down so he accidentally stayed up ’til 1:30am reading it! My favourite part was reaching Sephone after escaping Pyrena and onwards. For me the most tense part was in the Cavern with Pyrena and escaping her. I also loved the words especially solwara, puripuri and tumbuna.

Happy Shark Week everyone, may you also find clear waters in which to celebrate with some friendly marine creatures.

Button Holiday Fun

This morning people of all ages had fun with buttons at Albany Public Library. It seems I’m not the only one who loves button tins.

It’s school holidays around Australia and here are a few easy ideas for button craft.

Decorate a lost and found tag for one of your furry toys or pets (like we did today).
Stick a button (or several) onto card/paper and make it into something – the button could be the centre of a flower or a monster’s eye …
Thread buttons onto wool or elastic to make a necklace or bangle.
Decorate an old photo frame with buttons of all sizes.
Draw the outline of your favourite animal and fill it in with colourful buttons.
Stick buttons onto an old hairclip or a bag/shoes from the Op shop

You might think of other crafty button ideas, please send me photos if you do!

From Book to Play – Black Swan Theatre’s adaptation of ‘Lighthouse Girl’ and ‘Light Horse Boy’

I started this blog post a month ago – it’s been busy – and although late, I wanted to share my response to the wonderful Black Swan Theatre adaptation before my next post about Nanna’s Button Tin …

On Saturday night (29/4/17) I sat in the darkness of the Albany Entertainment Centre and watched Hellie Turner’s wonderful adaptation of my books Lighthouse Girl and Light Horse Boy. I laughed and cried and experienced a lovely shiver each time I heard my own words woven into those of Hellie’s.

Hellie Turner is an award-winning WA playwright. It was an honour to entrust my stories to her creativity. Hellie says that writing a first draft was ‘a gruelling joy’. Gruelling in that she needed to be immersed into ‘the carnage of war’ and a joy because she was ‘reminded of the remarkable resilience of the human spirit.’ Hellie’s words resonated for me, as writing the books was also like that.

The Perth opening was as exciting as the Albany Premiere, albeit a little more formal, with Her Excellency The Governor and other dignitaries attending. Our seats were closer to the stage and offered an intimate viewpoint as events on stage unfolded.

This is the first time that I’ve watched the same play three times and so it was interesting to experience different audience reactions. Each night there was almost visceral connection between those on stage and those watching. And that connection varied. People laughed and cried at slightly different places. The shared breathing in and out held small differences which was fascinating. As an author you don’t get to witness that intimate connection with a reader.

I loved so many things about the stage adaptation of Lighthouse Girl/Boy; the actors each gave excellent performances, capturing small character nuances helped by effective and lovely costuming (Fay’s large overcoat was perfect) and Lawrie Cullen-Tait’s set was masterful. Her clever design enabled the audience to imagine the one space as a lighthouse-keeper’s cottage, an island outcrop and a pyramid (as well as other things). The design was influenced by Albany’s rocky landscape, the diamond leadlight shapes of the Breaksea Lighthouse while suggestive railings paid ‘homage to the countless dead’. Joe Lui’s evocative lighting added to the mood throughout the play and Brett Smith’s sound/music design was beautiful, particularly the final haunting rendition of The Girl I Left Behind.

Congratulations to Stuart Halusz for directing the talents of these creatives, and others not mentioned specifically, to make this production so special. Stuart was inspired by memorials in small towns across Australia and in particular an artefact found in a small museum in Beechworth near my home-town Albury.

Thank you to BST Publicist Irene Jarzabek for making both Opening Nights so special, my agent Clive Newman and to all at Black Swan Theatre and Fremantle Press who helped bring Lighthouse Girl to the stage. Finally, my heartfelt thanks to Garry Snowden, General Manager of the Albany Entertainment Centre, whose enthusiasm and ongoing belief (over many years) has brought this project to fruition.

Nanna’s Button Tin – first peek

This afternoon something special arrived in the mail. After publication delays beyond my control, I’m so excited to at last hold my new picture book, Nanna’s Button Tin. Heather Potter’s illustrations are beautiful and every time I read the story I find lovely details in her artwork. The release date with Walker Books is June 1st but here is a first sneak peek…

The story was inspired by memories of playing with my mum’s and grandmothers’ button tins. I loved tipping their tins upside down, sorting shapes and colours and looking for my favourite buttons. Some buttons held special memories; a favourite party dress or a bear-shaped button from a cardigan. The book is dedicated to every Nanna with a button tin.

First Review:

I couldn’t have hoped for a better first review than the one published in the current issue of Books+Publishing by esteemed publisher, academic, author (and more) Margaret Hamilton AM. She writes: …The heart-warming story is sensitively told in simple and expressive language. The reader is invited to join this loving family to experience the special relationship between a small girl and her nanna and to relive treasured family memories, all through the special buttons in nanna’s jar… Stories about family togetherness are very important in the life of a child. They reinforce family experiences and loving relationships, and when they are as warmly portrayed as those in this book, they become keepsakes.

Thank you Heather, Editor Mary Verney and the rest of the team at Walker Books.

Culture Clash

I’ve just come across a fascinating YouTube clip directed and produced by Dennis O’Rourke, which explores some of the modern issues confronting traditional customary practise in shark-calling villages of New Ireland Province (PNG).

It goes for 50 minutes but is well worth watching.

shark shadow

Breaksea Island -photos & aerial maps

Yesterday I was fortunate to return to Breaksea Island, long ago home of ‘lighthouse girl’ Fay Catherine Howe. The weather was perfect. After circling the island, Rainer our pilot landed on the helicopter pad just below the lighthouse.

meg breaksea 124.JPG

We circled the ruins of the original lighthouse then walked down the hill to visit the old cottages. Each time I visit I have a strong sense of Fay in the furthest keeper’s cottage, particularly in one of the front rooms.

?????????????

Just before this visit there’d been robust discussion, accompanied by some impressive forensic laptop studies of several old photos at the Albany History Collection. We were looking at a photograph of a young woman outside this furthest cottage. I’d always hoped it was Fay, but had been told it was an earlier keeper’s wife, however… it now seems it may actually be Fay. More on that in a later post. The young woman is standing by the cottage steps (below), with two donkeys, dogs and goats.

A highlight of the trip was hiking down the old zigzag donkey track to the jetty. I hadn’t been to the jetty since the original research trip over ten years ago, long before there was the helicopter option. There have been a few changes; with a safety cage around the swinging boat access ladder, but otherwise it all looked similar.

Part of the zigzag track

Looking back to Albany

On the way to the jetty

It was great to see Elephant Rock again as that appears in the story.

meg-breaksea-087

Our allocated island time whizzed past and soon it was time to climb back into the chopper for the short trip back to the mainland. I’m already looking forward to next time.

?????????????

?????????????

Kokoda Track: 75 years

2017 is the 75th anniversary of WW2 battles along Papua New Guinea’s Kokoda Track. As part of their Serial Reading programme, in Term Two the West Australian newspaper’s ED! supplement will be serialising my picture book Photographs in the Mud.

9781921361043photographsinthemud-copy

The story set in 1942, explores Kokoda from two perspectives; through the eyes of an Australian soldier and also from a Japanese soldier’s point of view. The book was inspired by a story I heard during my 2002 trek from Kokoda airstrip across the Owen Stanley range to Ower’s Corner (near Port Moresby). During one bloody battle, two soldiers locked in combat, rolled down the steep mountainside away from the main battle. They found themselves alone and injured in a jungle ditch. This moment and the imagined aftermath became the core of my story with a theme of common humanity.

Although mostly fictitious, Photographs in the Mud was inspired by an incident experienced by Kokichi Nishimura, a soldier of the 2/144th Regiment of the Imperial Japanese Army. Mr Nishimura’s amazing life story, including his return to PNG to collect the bones of war dead, was later explored in Charles Happell’s The Bone Man of Kokoda.

My picture book, published in 2005 by Fremantle Press and illustrated by Brian Harrison-Lever, has been utilised as an international peace reference. It’s suitable for middle primary readers through to senior high school and is often used in visual literacy units. Teaching notes and more details, including photos of a much younger me, can be found on my website.

WAYRBA 2017

untitled

The West Australian Young Readers WAYRBA have announced their three shortlists and I’m thrilled that The Shark Caller is included amongst the 16 titles in the 2016 Older Readers’ category. I’m in good company; the list features six international books, nine from Australia and one fellow West Australian title; Norm Jorgensen’s fun The Smuggler’s Curse. There are also lists for Younger Readers and Picture Books with terrific Australian titles on both.

Being shortlisted for a children’s choice award is a wonderful thing. Committed teachers and librarians make up many judging panels, but when the power to choose is handed over to kids it makes being selected such an honour. Young readers make honest critics. As part of the judging process they’re asked to read titles on the lists and evaluate them as ‘terrific’, ‘good’, ‘okay’ or ‘awful.’ Fingers crossed that my ‘Shark’ doesn’t receive too many of the latter!

For WA creators there are still challenges involved in bringing a book to the attention of readers – there are so many other great books from interstate and overseas. The annual WAYRBA lists help ensure that Australian settings such as ‘Abalone Cove’ (Greens Pool) and Broome, which appear in The Shark Caller, reach a wider readership. Thank you to the organising committee for their hard work behind the scenes and teachers, please help your students access the WAYRBA titles, encourage them to vote – and to be gentle with the ‘awful’ slips…

Ring in the new…

Happy New Year !

After five years working on PhD research; my two novels (The Shark Caller, The Dog with Seven Names) and the accompanying exegesis, “Crafting Animals Characters in Fiction for Young Readers”, it’s a wonderful (and somewhat fizzy) feeling to be able to at last be free to give attention to other projects which have been circling in a holding pattern. The first being Light from a Broken Lantern (working title).

Between final drafts of the exegesis I’ve been researching this manuscript; the third (and final?) book in the Lighthouse/Horse Boy series. The story steps back to explore the early WW1 years from the perspective of English nurse, Rose before she meets Jim (Light Horse Boy). This early stage of shaping an historical story is exciting in that research reveals all sorts of potential leads, some of which will be followed and woven into the plotline while others slip quietly back into history. I’ve been keeping a scrapbook journal of progress and notes, so that I can revisit some of the quieter snippets in later drafts.

In early June, another long-term project, Nanna’s Button Tin will be released by Walker Books Australia (and Candlewick for the U.S. market). Heather Potter’s beautiful illustrations hold lovely details which add multiple layers to the story. I can’t wait to share more details in a following post.

2017 also brings exciting events linking to Lighthouse Girl and Light Horse Boy, as well as festival and school bookings. Here are some details for those:

Feb: Lighthouse Girl and Light Horse Boy will be included in an exhibition of Australian and New Zealand Children’s picture books called Anzac Stories Behind the Pages – held in Brisbane libraries.
March: I’ll be filling in for Warren Flynn while he takes leave from his position as English tutor at the Albany UWA campus. I’m looking forward to working with first year students on texts including Shaun Tan’s The Arrival and Art Spiegelman’s Maus.
Also in March: Between the Lines Writer’s Festival is on again in Busselton. I’ll be talking about The Shark Caller as well as sharing ideas for creating animal characters.
- April 21 and 22 : Time to frock up for Black Swan Theatre’s premiere of Lighthouse Girl in Albany. Playwright, Hellie Turner’s terrific adaptation also links to Light Horse Boy.
April – May: Black Swan Theatre’s season of Lighthouse Girl continues in Perth.
June : Nanna’s Button Tin will be released by Walker Books Australia (and Candlewick).
August: For the first time in many years, Children’s Bookweek will be spent in Albany and the Great Southern, coinciding with the Albany exhibition of Anzac Stories Behind the Pages. As well as Albany and Denmark sessions, I’ll be travelling to smaller communities and schools across the Great Southern.
Repeat bookings are always lovely and in 2017 I’ll be revisiting some favourite schools and places including; St Marks, The Literature Centre, Woodthorpe and Margaret River Library. More about dates and details in following posts.

Until then, thank you for your interest in my books and this blog. I enjoy receiving feedback, so please feel free to send me a message. In 2017, I hope to post more regularly, let’s see how I go …

Ring out the old…

2016 has been a whirl, with so many highlights, as well as the challenge of balancing study, writing and work commitments.

With just a few tweaks left to finalise my PhD research (Crafting Animal Characters in Children’s Literature), I look forward to working on several new projects over summer and launching a new book in 2017, but first I’d like to say a heartfelt thank you to the schools, festivals and libraries that hosted me in 2016. Here are some of the highlights:

The inaugural 7 Rooms 7 Stories Writers Festival in Busselton was fabulous and I’m thrilled to have been invited back in 2017. Boasting a sparkly new name ‘Between the Lines’ this festival is sponsored by Dymocks Busselton and will be held in March at Mary MacKillop College.
A few weeks after 7 stories, and further south, I enjoyed mixing with local creators and interstate visitors at Great Southern Grammar’s Literature Festival.
Meeting readers during school visits and returning to schools I’ve previously visited is especially rewarding. In the first half of the year that included St Stephen’s, St Mark’s and Lakeside SHS (Perth) as well as St Josephs College in Albany…
Travelling to Wickham in the Pilbara, celebrating Granny Grommet and Me being part of Better Beginnings Recommended Reads for 4s & 5s was fun.
So was revisiting NSW’s Riverina. Thank you Albury and Lavington Libraries for organising school visits last May.
Each Winter brings the excitement and anticipation of the SCBWI WA Rottnest Retreat. This year was as fabulous as ever, spending time reading, writing and workshopping with friends as well as being inspired by visiting legends Erica Wagner and Craig Smith. Thanks to the SCBWI organisers…
July brought the long-anticipated launch of The Shark Caller, a YA novel that was ‘in-production’ for about ten years. Some books take longer than others! To celebrate there were two launches; one at the Albany Surf Club and the other at Perth’s fabulous Aquarium (AQWA). Both were wonderful evenings.

Mailee and Sasha from The Literature Centre

Between these two launches, my sister, Karen and I went on a road trip/writers tour of Esperance and the Goldfields region where I enjoyed meeting students at Esperance SHS, Esperance Anglican Community School and Kalgoorlie’s John Paul College.

The second half of the year is when things get busy for children’s authors and 2016 winners & r up2 was no exception. The excitement began with Albany Library and Penguin Random House helping to organise a Shark Caller Haiku Competition. The entries were delightful and I met with the winners to enjoy a milkshake meeting.

Then it was Bookweek. Thank you Iona, Newman, Mel Maria, PLC, Southlands Albany and Brighton Primary. As well as Rio Tinto for organising a full day trip to Paraburdoo …
In September I was honoured to join Maria Gill, Aleesah Darlison and Neridah McMullin on a panel session at the Australia/NZ SCBWI Conference in Sydney and a follow-up event at The Children’s Bookshop in Beecroft with my panel buddies as well as Hazel Edwards , Penny Morrison, Emma Allen and John Heffernan. Thank you to the amazing Susanne Gervay for organising these events and the lovely Deb Abela for offering me her spare room 🙂
Being in Sydney also gave me the opportunity to spend the day with Penguin Random House publicist, Zoe Bechara visiting local bookshops to talk about The Shark Caller.
After flying back to WA, it was into the car and straight on to Toodyay for a session at the Avon Valley Writers Festival.
Then in October (and November) it was time to celebrate Fremantle Press’s 40th birthday. What a fabulous milestone for an independent publisher!
In October I also enjoyed an amazing week in Bunbury and Busselton as part of The Literature Centre’s Talented Young Writers’ Programme facilitated by one of the Centre’s motivating Education Officers, Beck Blaxell. Each year the TYWP programme reaches hundreds of budding creators, giving them unique opportunities to develop their skills. It was a pleasure to work with these highly committed high school students.
One 2016 regret was having to cancel sessions at Bremer Bay Primary due to urgent family illness. Thankfully my Mum is now okay and I hope to visit Bremer early 2017.

light horse girl So that was my 2016. Thank you again to all of the schools, festivals and libraries that hosted me this year. After the adventures above, my 2017 resolution was going to be to slow down and enjoy each moment… however with some exciting events coming up, this might be a challenge!

More about that in the next post. In the meantime, I wish you all a very Happy New Year!

Save the Date

Just a very quick post to share the excitement.

Black Swan Theatre’s production of ‘Lighthouse Girl’ will open in Albany in April for three shows before a two-week season in Perth. Hellie Turner’s play captures the essence of both Lighthouse Girl and Light Horse Boy and I can’t wait to see Fay’s story come to life on stage. Fay will be played by Daisy Coyle.

More details appeared in Saturday’s West Australian – between Green Day and Jerry Seinfield 😉 and can also be found on Black Swan Theatre’s website. Hope to see you at one of the shows…

Talented Young Writers

The Literature Centre runs a fabulous program called The Talented Young Writers Program in Fremantle as well as six regional centres across Western Australia. Last week I travelled to schools in Bunbury and Busselton with Education Officer Beck Blaxell to work with some of these creative students.

The students (from Years 6-12) meet four times a year with a visiting author to hone their writing skills. We talked about developing ideas, plotting, character development and my PhD research topic ‘anthropomorphism’. Students shared their own ideas and writing drafts. I heard so many great stories and can happily report that the future of WA storytelling is in safe hands.

Thank you to all at The Lit Centre for inviting me to be part of this great program, to the schools, teachers and parents for supporting this investment in our future. And… a special shout-out to Beck who made sure everything ran smoothly, for being wonderful company and for introducing me to the delicious cabbage salad at Market Eating House (sounds weird, tastes great).

Susanne Gervay

susanne

Multi-talented author, Susanne Gervay OAM works tirelessly to support children’s authors and illustrators. Last week she was in overdrive facilitating the Sydney SCBWI Conference.

Susanne does so much for the children’s writing community in so many ways. This is a thank you shout-out to her, Deb Abela, Marjorie Crosby-Fairall and all the others who worked hard to make the SCBWI conference such a success.

Susanne writes across genres and is best known for her award-winning I am Jack series. These stories have been life-changing for children across the world who, like central character Jack, must find ways to cope with bullies.

My favourite Susanne Gervay book is the beautiful, wise and gentle Elephants have Wings. Her powerful YA titles; The Cave (the story of young men on a survival camp) and Butterflies are both books about courage. More fabulous titles can be found on Susanne’s website.

Thank you, Susanne for all you do to support children’s literacy. You are an inspiration.