Teaching notes and links for my WWI ‘Light’ series can be found here.
Librarians are superheroes. All year they inspire a love of reading and research by making their libraries dynamic and exciting places to visit. Then in Children’s Bookweek they shift into Overdrive. My visit to Bunbury Catholic College today took things a step further …
The students have been studying Lighthouse Girl as well as partner titles, Light Horse Boy and In the Lamplight. So library staff, Colleen Edwards, Sharon Castelli and Sue Connelly made a lighthouse, as you do 🙂 As well as three book-themed story nooks, one for each ‘light’ title. Visiting the BCC library was like stepping into a professionally curated WWI museum with my books as the focus. It was fabulous. I felt so honoured.
Colleen, Sharon, Sue and other BCC teachers have helped students weave English and History studies, creating beautiful displays as well as carefully researched journals and poster. I loved the way they used books as a springboard to deeper research on topics such as the Purple Poppy and wartime sport.
The students were inspired by the ‘above and beyond’ staff creativity. They had great questions, were curious about all kinds of issues associated with WWI and had a deep understanding of wartime Australia and beyond. When I thought things could not possible get better the sessions ended with two students presenting me with a lighthouse, the prototype of the larger one. There are chocolates hidden inside and it even flashes!
Thank you Bunbury Catholic College for an epic day. xx
I feel as if I’ve been channelling Charles Dickens lately and was going to write this post last week, but my fractured foot and shoulder cause more tiredness than expected.
‘It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness …’
Four weeks ago, just before the Perth Writers Week, I slipped while walking Harry the dog on Albany’s Mount Clarence. It was an uneven trail, not hard bushwalking, however my right foot curled under and my left shoulder smashed into a tree. It hurt.
7am is peak dog-walking time but no one came by. I set Harry free and to his credit he resisted the urge to find bandicoots and stayed by my side. Good dog. I’d left my mobile phone at home and hubby was in Perth, so I balanced on a stick and hobbled half a km until kind neighbours found me and took me to hospital.
X-rays showed a complex lisfranc fracture . I had to abandon my Perth Writers Week sessions to spend the weekend with my foot raised waiting for surgery. The operation was scheduled for 26th February, the day the 2019 CBCA Notable Books are announced. Two of my books were eligible; In the Lamplight and The Dog with Seven Names.
I came out of surgery in a druggy haze to learn that not one, but both books had been listed. That certainly helped take my mind of the foot! The next morning, still feeling groggy I checked my emails and saw something about news being embargoed? After a fuzzy reread, I learnt that The Dog with Seven Names had just been shortlisted for the 2019 NSW Premier’s Literary Awards . It was listed with five other titles in the Patricia Wrightson category. The best of times, the worst of times …
Fast forward three weeks, post op. My two weeks of immobile ‘toes above nose’ resting is complete and I’m now able to move about with a little mobility scooter. Still no weight-bearing for three more weeks, however I’m allowed to shower sans boot, which is a highlight of each day. I’ve had to rearrange work commitments but nine weeks after the accident at the end of April, I’ll be flying to Sydney for the NSW Awards announcements – winner not known until the night. I’ll then fly on to Launceston for a CBCA Tasmania organised mini speaking tour.
Thank you to those who’ve sent get well wishes and helped in practical ways (dog walking/meals). I’m trawling back through messages but can only be at my desk for short periods. If I’ve missed an email from you or been slow to reply, this is the reason why. x
I love creative interpretations of my stories, from those first collaborative peeks at an illustrator’s artwork, all the way through to stage and street theatre adaptations.
My ‘Light’ series has inspired all kinds of reworking. Lighthouse Girl and Light Horse Boy were inspiration for a Black Swan Theatre stage adaptation in Perth/Albany which then toured regional WA. Lighthouse Girl also inspired the Little Girl Giant’s story in the PIAF street theatre, The Giants (type Giants into my blog search for photos), the song, Lighthouse Keeper’s Daughter by Caddy Cooper, another song, Message of Hope performed at the WA Massed Choir Festival, and many less formal school productions.
One of my favourite collaborative adaptations began today with the first instalment of an abridged version of In the Lamplight in the West Australian’s ED! supplement.
The ED! supplement is a fabulous supporter of WA authors and illustrators. Both Lighthouse Girl and Light Horse Boy have been serialised and I loved seeing students poring over class newspaper sets, reading about Fay, Charlie, Jim and other characters.
Once again the ED! designers have created a beautiful two-page spread and today I was excited to read that next week will feature details of the suffragette movement as a tie-in. I hope readers across WA will enjoy the serialisation as much as me.
Thank you teachers, librarians, booksellers, readers and the teams at Fremantle Press, Penguin Random House, Black Swan Theatre, the Literature Centre and CBCA for your support throughout 2018. It’s certainly been an eventful year, with the publication of two new books, In the Lamplight and The Dog with Seven Names, a UK launch and book tour, Candlewick’s US release of Nanna’s Button Tin, school visits across WA and NSW, and the regional WA tour of Black Swan Theatre’s wonderful adaptation The Lighthouse Girl.
Other 2018 highlights include ASA mentoring the super talented Amelia Mellor, speaking at the National ALEA/AATE Conference, Write Around the Murray and the CBCA NSW Kids Bookweek event. I love being part of the friendly and inclusive children’s literature community. Special thanks to the SCBWI West team for all that you do to support creative spirits.
2019 looks like being another exciting year. More about that in a few weeks. In the meantime I’ll be enjoying a quiet family Christmas at home, with plenty of beach-time, reading and the odd glass of bubbles. I’m also happily writing something new. Stay safe and thank you for helping to make 2018 a good year.
Brian Simmonds and I are both spring- cleaning, and we’ve found fifteen more images for the November sale. Anyone who has already contacted me to express interest should have received an email with these images by now. Please advise if you haven’t.
Free pick-up delivery is possible for Albany and Perth.
Large concept sketches for In the Lamplight $100
Large Concept sketches for Lighthouse Girl $100.
There are many places I could have stayed in Harefield, indeed I originally booked somewhere other than Black Jack’s Mill, but something about the B&B on the canal called me. Imagine my surprise, when today I found out, that after donating their manor house for the use of convalescent soldiers in 1914, the Australian Billyard-Leake family moved into Black Jack’s Mill!
I love serendipity and have enjoyed sharing interesting conversations with other children’s authors about strange coincidences linked to their work. Synchronicity seems especially common to authors who write historical fiction (looking at you Mark Greenwood and Norm Jorgensen). To research In the Lamplight, I thought I’d read all the books about Harefield Hospital in WWI, but discovering this small snippet in Tanya Britton’s, The ANZAC Hospital No. 1 at Harefield and the Australians who died there and elsewhere but who are buried at Harefield 1914-1918 has made my day, and started me thinking about serendipity all over again. It’s also made me keen to find out more about both the Billyard-Leake’s and Black Jack. So far no one has been able to confirm whether the latter was a horse or a man. Hopefully more details to follow…