Tag Archives: In the Lamplight

Historical Fiction

Who doesn’t love learning about the past through a great story?

Historical Fiction is one of my favourite genres, so it was a pleasure to chat with award-winning Elaine Forrestal and learn about her latest book as part of the  Fremantle Press podcast series.  You can hear the show here (the audio levels improve as it goes).

Elaine’s Goldfields Girl explores the amazing and true story of Clara Saunders, one of two women on the Coolgardie Goldfields during the 1890s. There are many parallels between Clara and Fay Catherine Howe, the Breaksea Island lighthouse keeper’s daughter who signaled to departing soldiers in 1914. Both were strong, resilient young women who faced daily challenges simply to find food and fresh water to drink. Fictitious Rose (In the Lamplight) was also a brave teenager, having to overcome her shyness to develop nursing skills and help wounded Australians in her English village.

Elaine and I are similar in our approach to writing; we’re attracted to the same kind of characters and both love weaving historical mini-stories into our fiction. Things like Paddy Hannan‘s gold nugget gift to Clara, Jimmy the Wallaby and the Harefield Flag. In this podcast we talk about different ways we research, from scanning microfiche, travelling to remote settings, finding lost diaries and sleuthing animal mascots to visions of Elaine haunting the Battye Library We also share writing tips for other writers who are passionate about historical fiction.

Thank you to Fremantle Press and the Copyright Agency Cultural Fund for creating this wonderful podcast series. Follow the link for more conversations.

We hope you enjoy our conversation with talented poet and writer, Rebecca Higgie.

Anzac Stories

A post featuring Light Horse Boy and three other horse-themed Anzac titles can be found on my website Animals who Talk. I hope you enjoy it.

Teaching notes and links for my WWI ‘Light’ series can be found here.

 

 

 

Librarian Superheroes

Librarians are superheroes. All year they inspire a love of reading and research by making their libraries dynamic and exciting places to visit. Then in Children’s Bookweek they shift into Overdrive. My visit to Bunbury Catholic College today took things a step further …

with Colleen Edwards

The students have been studying Lighthouse Girl as well as partner titles, Light Horse Boy and In the Lamplight. So library staff, Colleen Edwards, Sharon Castelli and Sue Connelly made a lighthouse, as you do 🙂 As well as three book-themed story nooks, one for each ‘light’ title. Visiting the BCC library  was like stepping into a professionally curated WWI museum with my books as the focus. It was fabulous. I felt so honoured.

Colleen, Sharon, Sue and other BCC teachers have helped students weave English and History studies, creating beautiful displays as well as carefully researched journals and poster. I loved the way they used books as a springboard to deeper research on topics such as the Purple Poppy and wartime sport.

There was an In the Lamplight nook, a Lighthouse Girl nook and a Light Horse Boy nook.

The students were inspired by the ‘above and beyond’ staff creativity. They had great questions, were curious about all kinds of issues associated with WWI and had a deep understanding of wartime Australia and beyond. When I thought things could not possible get better the sessions ended with two students presenting me with a lighthouse, the prototype of the larger one. There are chocolates hidden inside and it even flashes!

Thank you Bunbury Catholic College for an epic day. xx

with Pippa and Natalia

The best of times, the worst of times

I feel as if I’ve been channelling Charles Dickens lately and was going to write this post last week, but my fractured foot and shoulder cause more tiredness than expected.

‘It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness …’

Four weeks ago, just before the Perth Writers Week, I slipped while walking Harry the dog on Albany’s Mount Clarence. It was an uneven trail, not hard bushwalking, however my right foot curled under and my left shoulder smashed into a tree. It hurt.

7am is peak dog-walking time but no one came by. I set Harry free and to his credit he resisted the urge to find bandicoots and stayed by my side. Good dog. I’d left my mobile phone at home and hubby was in Perth, so I balanced on a stick and hobbled half a km until kind neighbours found me and took me to hospital.

X-rays showed a complex lisfranc fracture . I had to abandon my Perth Writers Week sessions to spend the weekend with my foot raised waiting for surgery. The operation was scheduled for 26th February, the day the 2019 CBCA Notable Books are announced. Two of my books were eligible; In the Lamplight and The Dog with Seven Names.

I came out of surgery in a druggy haze to learn that not one, but both books had been listed. That certainly helped take my mind of the foot! The next morning, still feeling groggy I checked my emails and saw something about news being embargoed? After a fuzzy reread, I learnt that The Dog with Seven Names had just been shortlisted for the 2019 NSW Premier’s Literary Awards . It was listed with five other titles in the Patricia Wrightson category. The best of times, the worst of times … 

Fast forward three weeks, post op. My two weeks of immobile ‘toes above nose’ resting is complete and I’m now able to move about with a little mobility scooter. Still no weight-bearing for three more weeks, however I’m allowed to shower sans boot, which is a highlight of each day. I’ve had to rearrange work commitments but nine weeks after the accident at the end of April, I’ll be flying to Sydney for the NSW Awards announcements – winner not known until the night. I’ll then fly on to Launceston for a CBCA Tasmania organised mini speaking tour.

Thank you to those who’ve sent get well wishes and helped in practical ways (dog walking/meals). I’m trawling back through messages but can only be at my desk for short periods. If I’ve missed an email from you or been slow to reply, this is the reason why. x

‘In the Lamplight’ ED! serialisation

I love creative interpretations of my stories, from those first collaborative peeks at an illustrator’s artwork, all the way through to stage and street theatre adaptations.

My ‘Light’ series has inspired all kinds of reworking. Lighthouse Girl and Light Horse Boy were inspiration for a Black Swan Theatre stage adaptation in Perth/Albany which then toured regional WA. Lighthouse Girl also inspired the Little Girl Giant’s story in the PIAF street theatre, The Giants (type Giants into my blog search for photos), the song, Lighthouse Keeper’s Daughter by Caddy Cooper, another song, Message of Hope performed at the WA Massed Choir Festival, and many less formal school productions.

One of my favourite collaborative adaptations began today with the first instalment of an abridged version of In the Lamplight in the West Australian’s ED! supplement.

The ED! supplement is a fabulous supporter of WA authors and illustrators. Both Lighthouse Girl and Light Horse Boy have been serialised and I loved seeing students poring over class newspaper sets, reading about Fay, Charlie, Jim and other characters.

Once again the ED! designers have created a beautiful two-page spread and today I was excited to read that next week will feature details of the suffragette movement as a tie-in. I hope readers across WA will enjoy the serialisation as much as me.

 

Wishing friends and readers a safe and peaceful festive season

Thank you teachers, librarians, booksellers, readers and the teams at Fremantle Press, Penguin Random House, Black Swan Theatre, the Literature Centre and CBCA for your support throughout 2018. It’s certainly been an eventful year, with the publication of two new books, In the Lamplight and The Dog with Seven Names, a UK launch and book tour, Candlewick’s US release of Nanna’s Button Tin, school visits across WA and NSW, and the regional WA tour of Black Swan Theatre’s wonderful adaptation The Lighthouse Girl.

Other 2018 highlights include ASA mentoring the super talented Amelia Mellor, speaking at the National ALEA/AATE Conference, Write Around the Murray and the CBCA NSW Kids Bookweek event. I love being part of the friendly and inclusive children’s literature community. Special thanks to the SCBWI West team for all that you do to support creative spirits.

2019 looks like being another exciting year. More about that in a few weeks. In the meantime I’ll be enjoying a quiet family Christmas at home, with plenty of beach-time, reading and the odd glass of bubbles. I’m also happily writing something new. Stay safe and thank you for helping to make 2018 a good year.

 

Yikes, we found more artwork …

Brian Simmonds and I are both spring- cleaning, and we’ve found fifteen more images for the November sale. Anyone who has already contacted me to express interest should have received an email with these images by now. Please advise if you haven’t.

Free pick-up delivery is possible for Albany and Perth.

Large concept sketches for In the Lamplight $100

Large Concept sketches for Lighthouse Girl $100.

Serendipity & Black Jack’s Mill

black jackThere are many places I could have stayed in Harefield, indeed I originally booked somewhere other than Black Jack’s Mill, but something about the B&B on the canal called me. Imagine my surprise, when today I found out, that after donating their manor house for the use of convalescent soldiers in 1914, the Australian Billyard-Leake family moved into Black Jack’s Mill!

I love serendipity and have enjoyed sharing interesting conversations with other children’s authors about strange coincidences linked to their work. Synchronicity seems especially common to authors who write historical fiction (looking at you Mark Greenwood and Norm Jorgensen). To research In the Lamplight, I thought I’d read all the books about Harefield Hospital in WWI, but discovering this small snippet in Tanya Britton’s, The ANZAC Hospital No. 1 at Harefield and the Australians who died there and elsewhere but who are buried at Harefield 1914-1918 has made my day, and started me thinking about serendipity all over  again. It’s also made me keen to find out more about both the Billyard-Leake’s and Black Jack. So far no one has been able to confirm whether the latter was a horse or a man. Hopefully more details to follow…

 

‘In the Lamplight’ – background #4 – Jimmy the wallaby mascot and a Harefield cockatoo

jj

Imagine being a wallaby in a small English village during WWI.  Jimmy (sometimes referred to as Jimony) was one of many Australian animals taken to WWI as mascots to cheer the troops and to remind them of home. Jimmy’s story is both strange and sad … Researching this wallaby was time-consuming. There were differing accounts surrounding Jimmy, making it hard to know which lead to follow. I also found historical inconsistencies when I was researching Lighthouse Girl and Light Horse Boy. It’s an exciting and frustrating part of writing historical fiction. As time goes by, more primary resources are uncovered, shedding new light on what we know and stories can change.

AWM image 4118702

Before Jimmy became the mascot of the No 1 Australian Auxiliary Hospital at Harefield, he was the mascot of the Australian Third Division. Tanya Britton’s Harefield during the First World War reports that, ‘Jimmy had been presented to one of the volunteer [hospital] workers in October 1916 by the daughter of Sir William Birdwood…’ Meanwhile Mary P. Shepherd’s Heart of Harefield reports that, ‘In October 1916, before setting out for France, men of the Third Division AIF presented a wallaby (a small kangaroo) to one of the volunteer workers, the daughter of General Sir William Birdwood …’ The difference between the two is slight but important; was Nancy Birdwood entrusted with Jimmy’s care or did she present him to someone? It’s an intriguing detail which is still on my list of things to discover.

Nancy’s story is also fascinating. She was the eldest daughter of General Birdwood, the man who commanded the Australian troops for much of the war. She volunteered at Harefield Hospital, fell in love with a Western Australian airman and ended up migrating home with him. But that’s another story …

 

Back to Jimmy. It seems that Harefield’s wallaby mascot regularly strayed from the hospital, roaming/hopping around the village, bringing smiles to the faces of patients, nurses and villagers. However this freedom also led to Jimmy’s untimely passing. Harefield’s beloved wallaby was remembered as, ‘the most peaceable and tame of any animal of that kind …’.

Reports surrounding Jimmy’s death varied greatly. To try and unearth the truth, I travelled to the Australian War Memorial Research Centre in Canberra and trawled through 100 year old copies of Harefield Park Boomerang, the hospital’s magazine. My patience was rewarded with the article extract on p.57. Rose’s diary account on p. 56 is based on this primary resource. This also cleared up any confusion regarding his name.

Jimmy wasn’t the only Australian mascot at Harefield. There was also a cockatoo which had been brought from the trenches of Gallipoli. The bird had the unnerving habit of imitating the sound of a Turkish shell blast. This wasn’t good for the shell-shock patients.

One of the things that fascinated me as I wrote Light Horse Boy was the variety of WWI mascots; there were dogs, cats, rabbits, monkeys, roosters, kangaroos, wallabies and even one poor koala named Teddy. They seemed to bring a smile to the faces of the soldiers. When I visited the Gallipoli Peninsula I was amazed to find similar WWI images in Turkish museums. The old photographs showed Turks playing with their small animal mascots in just the same ways. Soldiers have been taking animals to war since our earliest stories. Sadly for the Australian veterans, the animals were not allowed to return, but then again, there are the stories of warhorse Sandy and canine Horrie …

Thank you to the Department of Local Government, Sport and Cultural Industries for their generous funding support.

‘In the Lamplight’ – background #3 – The Harefield Flag and Anzac Quilt

So many stories came to light during three years+ of research. Each one worthy of its own book. The Anzac Flag and Harefield Quilt are two objects that captured the patriotic mood of the time. Both keepsakes survive one hundred years later; one in Harefield and the other in South Australia.

The Anzac Flag: Last week, I wrote about Headmaster Jeffrey running into a classroom to pull down a Union Jack to drape over Private Wake’s bare coffin. As the war continued more patients died and the flag was used many times to cover soldiers’ caskets on their final journeys from hospital to graveyard.

HarefieldFuneral2-from Andy

Photo: Andy Harris & Harefield History Society

Patients’ funeral cortèges passed down Harefield’s main street with villagers, patients and nurses in attendance. After the war ended, the Union Jack which had covered soldiers’ coffins was presented to the hospital’s last commanding officer. Lieutenant Colonel Yeatman was tasked with giving the flag to an Australian school and asking them to send their own flag in return. Adelaide High School was selected in recognition of the generous relief parcels which students sent to Harefield during the war years. Adelaide High School has treasured the Harefield Flag for over one hundred years, hanging it in a prominent position until it became too fragile to display. The flag has recently undergone extensive restorative work to preserve this symbol of friendship between communities.

The Harefield Quilt: was created in 1917 as a fund-raising exercise. It was made by volunteers of the British Red Cross Society. The idea with fund-raising quilts was that you donate a sixpence, write your name on a large cloth, ready to be embroidered.  In the case of the Harefield Quilt, twenty small squares containing signatures surround a central square. The central patch shows the Red Cross emblem, the Advance Australia ensign as well as motifs of the 29th Battalion and 31st Battalion of the Eighth Brigade.

HarefieldTeaRoom

Photo: Andy Harris/Harefield History Society

Descendants of Mrs Helena Gough who opened tearooms in her home in High Street presented the quilt to St Mary’s Church for safekeeping in 1972. Each April the quilt is displayed on Anzac Day in remembrance of the soldiers who died in Harefield. In 2015 a centenary quilt was commissioned. It hangs in the Harefield Hospital.

Next Wednesday’s post will focus on Jimmy the wallaby mascot and the Harefield cockatoo. Thank you to the Department of Local Government, Sport and Cultural Industries for funding support.

What’s in a Name?

media2   If it’s a book title, a lot!

For a year or so, I’ve been struggling with finding the right title for my almost completed manuscript, a companion title for Lighthouse Girl and Light Horse Boy. For continuity reasons I wanted the word ‘light’ somewhere in the title. We aren’t meant to judge a book by it’s cover, but research indicates that many of us do.

This story has been on the back-burner since 2011 when I visited the Anzac cemetery in the UK village of Harefield to research another idea (more about that journey in future posts). Ideas bubbled away as I completed other projects and then last year, at last, I was able to give this story dedicated time (thank you Department of Local Government, Sport and Cultural Industries). While the manuscript was a work-in-progress I initially referred to it as Quarantine Rose; a shocker of a title which I knew would never be the one. I couldn’t change my central character’s name because Rose is an overlap character with Light Horse Boy. For a while the title shifted to Rose on No Man’s Land, linking the story to a popular WWI song. However Rose works in a hospital not on the battlefield.

As the manuscript took shape I knew I needed a better title. At the annual SCBWI Rottnest retreat, fellow author Norman Jorgensen came up with the evocative Light from a Broken Lantern, however as the story progressed, there was more hope than brokenness. Sorry Norm!

Sometimes the right title appears at the same time as the first story idea. Other titles involve weeks of compiling lists and thesaurus trawling. Lighthouse Girl for a long while was Postcards from Breaksea, or simply Postcards. Then about two years into the four year writing process, the current tile settled. For Light Horse Boy, the final title was always the one.

With my going-to-print deadline quickly approaching, this month I sent out a cry for help. Thank you friends and family, writer group peers, bookgroupies and others who answered my call. You offered so many great suggestions. Even the cheeky suggestions from family were useful, as they sparked other ideas using the words light, shadow and darkness.

Meanwhile Fremantle Press have been market-testing one of the options on our short-list of title choices and I am pleased to finally announce that the title has been decided. The book will be called In the Lamplight. Tentative release date is April 2018. I hope readers will enjoy this new addition to the ‘light’ series. Thanks again to all the wonderful title-hunters for your kind suggestions…