Teaching notes and links for my WWI ‘Light’ series can be found here.
Librarians are superheroes. All year they inspire a love of reading and research by making their libraries dynamic and exciting places to visit. Then in Children’s Bookweek they shift into Overdrive. My visit to Bunbury Catholic College today took things a step further …
The students have been studying Lighthouse Girl as well as partner titles, Light Horse Boy and In the Lamplight. So library staff, Colleen Edwards, Sharon Castelli and Sue Connelly made a lighthouse, as you do 🙂 As well as three book-themed story nooks, one for each ‘light’ title. Visiting the BCC library was like stepping into a professionally curated WWI museum with my books as the focus. It was fabulous. I felt so honoured.
Colleen, Sharon, Sue and other BCC teachers have helped students weave English and History studies, creating beautiful displays as well as carefully researched journals and poster. I loved the way they used books as a springboard to deeper research on topics such as the Purple Poppy and wartime sport.
The students were inspired by the ‘above and beyond’ staff creativity. They had great questions, were curious about all kinds of issues associated with WWI and had a deep understanding of wartime Australia and beyond. When I thought things could not possible get better the sessions ended with two students presenting me with a lighthouse, the prototype of the larger one. There are chocolates hidden inside and it even flashes!
Thank you Bunbury Catholic College for an epic day. xx
I love creative interpretations of my stories, from those first collaborative peeks at an illustrator’s artwork, all the way through to stage and street theatre adaptations.
My ‘Light’ series has inspired all kinds of reworking. Lighthouse Girl and Light Horse Boy were inspiration for a Black Swan Theatre stage adaptation in Perth/Albany which then toured regional WA. Lighthouse Girl also inspired the Little Girl Giant’s story in the PIAF street theatre, The Giants (type Giants into my blog search for photos), the song, Lighthouse Keeper’s Daughter by Caddy Cooper, another song, Message of Hope performed at the WA Massed Choir Festival, and many less formal school productions.
One of my favourite collaborative adaptations began today with the first instalment of an abridged version of In the Lamplight in the West Australian’s ED! supplement.
The ED! supplement is a fabulous supporter of WA authors and illustrators. Both Lighthouse Girl and Light Horse Boy have been serialised and I loved seeing students poring over class newspaper sets, reading about Fay, Charlie, Jim and other characters.
Once again the ED! designers have created a beautiful two-page spread and today I was excited to read that next week will feature details of the suffragette movement as a tie-in. I hope readers across WA will enjoy the serialisation as much as me.
Brian Simmonds and I are both spring- cleaning, and we’ve found fifteen more images for the November sale. Anyone who has already contacted me to express interest should have received an email with these images by now. Please advise if you haven’t.
Free pick-up delivery is possible for Albany and Perth.
Large concept sketches for In the Lamplight $100
Large Concept sketches for Lighthouse Girl $100.
If it’s a book title, a lot!
For a year or so, I’ve been struggling with finding the right title for my almost completed manuscript, a companion title for Lighthouse Girl and Light Horse Boy. For continuity reasons I wanted the word ‘light’ somewhere in the title. We aren’t meant to judge a book by it’s cover, but research indicates that many of us do.
This story has been on the back-burner since 2011 when I visited the Anzac cemetery in the UK village of Harefield to research another idea (more about that journey in future posts). Ideas bubbled away as I completed other projects and then last year, at last, I was able to give this story dedicated time (thank you Department of Local Government, Sport and Cultural Industries). While the manuscript was a work-in-progress I initially referred to it as Quarantine Rose; a shocker of a title which I knew would never be the one. I couldn’t change my central character’s name because Rose is an overlap character with Light Horse Boy. For a while the title shifted to Rose on No Man’s Land, linking the story to a popular WWI song. However Rose works in a hospital not on the battlefield.
As the manuscript took shape I knew I needed a better title. At the annual SCBWI Rottnest retreat, fellow author Norman Jorgensen came up with the evocative Light from a Broken Lantern, however as the story progressed, there was more hope than brokenness. Sorry Norm!
Sometimes the right title appears at the same time as the first story idea. Other titles involve weeks of compiling lists and thesaurus trawling. Lighthouse Girl for a long while was Postcards from Breaksea, or simply Postcards. Then about two years into the four year writing process, the current tile settled. For Light Horse Boy, the final title was always the one.
With my going-to-print deadline quickly approaching, this month I sent out a cry for help. Thank you friends and family, writer group peers, bookgroupies and others who answered my call. You offered so many great suggestions. Even the cheeky suggestions from family were useful, as they sparked other ideas using the words light, shadow and darkness.
Meanwhile Fremantle Press have been market-testing one of the options on our short-list of title choices and I am pleased to finally announce that the title has been decided. The book will be called In the Lamplight. Tentative release date is April 2018. I hope readers will enjoy this new addition to the ‘light’ series. Thanks again to all the wonderful title-hunters for your kind suggestions…
Each August Australian children’s authors and illustrators pack their bags and shift into overdrive visiting schools and libraries across the country to celebrate CBCA‘s Children’s Bookweek. Sessions began early this year with Great Southern Grammar’s exciting Southern Sea of Words last weekend. I had a lovely time with authors Mark Greenwood, Susannah McFarlane, Norman Jorgensen, Kylie Howarth and Sian Turner presenting workshops to young GSG readers.
The fun continues this Friday when I visit IONA Presentation College to meet the Year 7 girls and talk about Lighthouse Girl , one of their annual reading texts. Every year I am impressed by the maturity, wisdom and grace of the IONA girls (and the staff spoil me with lovely food). I’m sure this year will be no exception.
On Saturday 12th and Sunday 13th you’ll then find me at the 2017 Sunshine Coast Readers and Writers Festival. There’s a great range of presenters. I’m looking forward to sessions focussing on PNG and also the children’s events on Sunday. My talks will focus on crafting animal characters (my PhD research) and my Page to Stage journey; the Black Swan adaptation of Lighthouse Girl/Light Horse Boy as well as the PIAF Giants event.
Then on Monday 14th August I’ll be visiting students at Nambour Christian College and on Wednesday 16th I will be signing books at Berkelouw Bookshop in Eumundi. Then it’s back to Brisbane where I will deliver sessions at Holland Park Library linked to the Anzac Stories Behind the Pages Exhibition. In between I’m looking forward to a catch-up with one of my Qld sisters, Wendy.
Back in Perth and following the announcement of the Bookweek winners on Friday 18th, I’ll be joining SCBWI and CBCA buddies at the CBCA WA dinner. This year it’s dress-up attire and so I’m on the look out for a simple shark costume. Any suggestions welcome!!
Half way through the busy month (phew), and the Anzac Stories Behind the Pages Exhibition comes to Albany and the Great Southern…
This year Bookweek will be spent in Albany, Mt Barker and Gnowangerup. The following week, I’ll be in Broomehill, Tambellup, Pingrup and Denmark. Then Children’s Bookmonth spills into September with visits to Walpole, Cranbrook finishing in lovely Bremer Bay on Wednesday 6th.
August is an exciting and crazy time of the year for me and I’m looking forward to meeting thousands of young readers. This year’s motto Escape to Everywhere feels apt!
I started this blog post a month ago – it’s been busy – and although late, I wanted to share my response to the wonderful Black Swan Theatre adaptation before my next post about Nanna’s Button Tin …
On Saturday night (29/4/17) I sat in the darkness of the Albany Entertainment Centre and watched Hellie Turner’s wonderful adaptation of my books Lighthouse Girl and Light Horse Boy. I laughed and cried and experienced a lovely shiver each time I heard my own words woven into those of Hellie’s.
Hellie Turner is an award-winning WA playwright. It was an honour to entrust my stories to her creativity. Hellie says that writing a first draft was ‘a gruelling joy’. Gruelling in that she needed to be immersed into ‘the carnage of war’ and a joy because she was ‘reminded of the remarkable resilience of the human spirit.’ Hellie’s words resonated for me, as writing the books was also like that.
The Perth opening was as exciting as the Albany Premiere, albeit a little more formal, with Her Excellency The Governor and other dignitaries attending. Our seats were closer to the stage and offered an intimate viewpoint as events on stage unfolded.
This is the first time that I’ve watched the same play three times and so it was interesting to experience different audience reactions. Each night there was almost visceral connection between those on stage and those watching. And that connection varied. People laughed and cried at slightly different places. The shared breathing in and out held small differences which was fascinating. As an author you don’t get to witness that intimate connection with a reader.
I loved so many things about the stage adaptation of Lighthouse Girl/Boy; the actors each gave excellent performances, capturing small character nuances helped by effective and lovely costuming (Fay’s large overcoat was perfect) and Lawrie Cullen-Tait’s set was masterful. Her clever design enabled the audience to imagine the one space as a lighthouse-keeper’s cottage, an island outcrop and a pyramid (as well as other things). The design was influenced by Albany’s rocky landscape, the diamond leadlight shapes of the Breaksea Lighthouse while suggestive railings paid ‘homage to the countless dead’. Joe Lui’s evocative lighting added to the mood throughout the play and Brett Smith’s sound/music design was beautiful, particularly the final haunting rendition of The Girl I Left Behind.
Congratulations to Stuart Halusz for directing the talents of these creatives, and others not mentioned specifically, to make this production so special. Stuart was inspired by memorials in small towns across Australia and in particular an artefact found in a small museum in Beechworth near my home-town Albury.
Thank you to BST Publicist Irene Jarzabek for making both Opening Nights so special, my agent Clive Newman and to all at Black Swan Theatre and Fremantle Press who helped bring Lighthouse Girl to the stage. Finally, my heartfelt thanks to Garry Snowden, General Manager of the Albany Entertainment Centre, whose enthusiasm and ongoing belief (over many years) has brought this project to fruition.