Dogs of the Rich and Famous: Harry…and Dianne Wolfer

Harry the Wonder Dog starring today on lovely Cristy Burne’s blog…

Cristy Burne

Dianne Wolfer and HarryWelcome to the first in a new series of posts: Dogs of the Rich and Famous, where we get to meet the dogs in our favourite book creators’ lives. I can’t wait!

Today’s lucky lovely pooch is Harry, assistant to West Australian author Dianne Wolfer.

About Harry

Age: About 6

Breed (or best guess): A rescue dog with schnauzer terrier ancestry. Harry was beaten before he came to us but now he’s happy and loved.

Assistant to:Dianne Wolfer. Dianne is author of 17 award-winning books, including 2018 CBCA Notable, Nanna’s Button Tin, a gentle story about searching for a special button. Her latest title, In the Lamplight partners with Lighthouse Girl and Light Horse Boy (which inspired Black Swan Theatre’s, “The Lighthouse Girl” and Perth Festival’s street theatre, “The Giants”).

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Dianne writes across genres. Her fantasy quest novel, The Shark Caller was sparked by the ancient…

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‘In the Lamplight’ – background #4 – Jimmy the wallaby mascot and a Harefield cockatoo

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Imagine being a wallaby in a small English village during WWI.  Jimmy (sometimes referred to as Jimony) was one of many Australian animals taken to WWI as mascots to cheer the troops and to remind them of home. Jimmy’s story is both strange and sad … Researching this wallaby was time-consuming. There were differing accounts surrounding Jimmy, making it hard to know which lead to follow. I also found historical inconsistencies when I was researching Lighthouse Girl and Light Horse Boy. It’s an exciting and frustrating part of writing historical fiction. As time goes by, more primary resources are uncovered, shedding new light on what we know and stories can change.

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Before Jimmy became the mascot of the No 1 Australian Auxiliary Hospital at Harefield, he was the mascot of the Australian Third Division. Tanya Britton’s Harefield during the First World War reports that, ‘Jimmy had been presented to one of the volunteer [hospital] workers in October 1916 by the daughter of Sir William Birdwood…’ Meanwhile Mary P. Shepherd’s Heart of Harefield reports that, ‘In October 1916, before setting out for France, men of the Third Division AIF presented a wallaby (a small kangaroo) to one of the volunteer workers, the daughter of General Sir William Birdwood …’ The difference between the two is slight but important; was Nancy Birdwood entrusted with Jimmy’s care or did she present him to someone? It’s an intriguing detail which is still on my list of things to discover.

Nancy’s story is also fascinating. She was the eldest daughter of General Birdwood, the man who commanded the Australian troops for much of the war. She volunteered at Harefield Hospital, fell in love with a Western Australian airman and ended up migrating home with him. But that’s another story …

 

Back to Jimmy. It seems that Harefield’s wallaby mascot regularly strayed from the hospital, roaming/hopping around the village, bringing smiles to the faces of patients, nurses and villagers. However this freedom also led to Jimmy’s untimely passing. Harefield’s beloved wallaby was remembered as, ‘the most peaceable and tame of any animal of that kind …’.

Reports surrounding Jimmy’s death varied greatly. To try and unearth the truth, I travelled to the Australian War Memorial Research Centre in Canberra and trawled through 100 year old copies of Harefield Park Boomerang, the hospital’s magazine. My patience was rewarded with the article extract on p.57. Rose’s diary account on p. 56 is based on this primary resource. This also cleared up any confusion regarding his name.

Jimmy wasn’t the only Australian mascot at Harefield. There was also a cockatoo which had been brought from the trenches of Gallipoli. The bird had the unnerving habit of imitating the sound of a Turkish shell blast. This wasn’t good for the shell-shock patients.

One of the things that fascinated me as I wrote Light Horse Boy was the variety of WWI mascots; there were dogs, cats, rabbits, monkeys, roosters, kangaroos, wallabies and even one poor koala named Teddy. They seemed to bring a smile to the faces of the soldiers. When I visited the Gallipoli Peninsula I was amazed to find similar WWI images in Turkish museums. The old photographs showed Turks playing with their small animal mascots in just the same ways. Soldiers have been taking animals to war since our earliest stories. Sadly for the Australian veterans, the animals were not allowed to return, but then again, there are the stories of warhorse Sandy and canine Horrie …

Thank you to the Department of Local Government, Sport and Cultural Industries for their generous funding support.

‘In the Lamplight’ – background #3 – The Harefield Flag and Anzac Quilt

So many stories came to light during three years+ of research. Each one worthy of its own book. The Anzac Flag and Harefield Quilt are two objects that captured the patriotic mood of the time. Both keepsakes survive one hundred years later; one in Harefield and the other in South Australia.

The Anzac Flag: Last week, I wrote about Headmaster Jeffrey running into a classroom to pull down a Union Jack to drape over Private Wake’s bare coffin. As the war continued more patients died and the flag was used many times to cover soldiers’ caskets on their final journeys from hospital to graveyard.

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Photo: Andy Harris & Harefield History Society

Patients’ funeral cortèges passed down Harefield’s main street with villagers, patients and nurses in attendance. After the war ended, the Union Jack which had covered soldiers’ coffins was presented to the hospital’s last commanding officer. Lieutenant Colonel Yeatman was tasked with giving the flag to an Australian school and asking them to send their own flag in return. Adelaide High School was selected in recognition of the generous relief parcels which students sent to Harefield during the war years. Adelaide High School has treasured the Harefield Flag for over one hundred years, hanging it in a prominent position until it became too fragile to display. The flag has recently undergone extensive restorative work to preserve this symbol of friendship between communities.

The Harefield Quilt: was created in 1917 as a fund-raising exercise. It was made by volunteers of the British Red Cross Society. The idea with fund-raising quilts was that you donate a sixpence, write your name on a large cloth, ready to be embroidered.  In the case of the Harefield Quilt, twenty small squares containing signatures surround a central square. The central patch shows the Red Cross emblem, the Advance Australia ensign as well as motifs of the 29th Battalion and 31st Battalion of the Eighth Brigade.

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Photo: Andy Harris/Harefield History Society

Descendants of Mrs Helena Gough who opened tearooms in her home in High Street presented the quilt to St Mary’s Church for safekeeping in 1972. Each April the quilt is displayed on Anzac Day in remembrance of the soldiers who died in Harefield. In 2015 a centenary quilt was commissioned. It hangs in the Harefield Hospital.

Next Wednesday’s post will focus on Jimmy the wallaby mascot and the Harefield cockatoo. Thank you to the Department of Local Government, Sport and Cultural Industries for funding support.

‘In the Lamplight’ – background #2 – Harefield and early inspiration

What were the first seeds of inspiration?

After years of researching and writing, it’s interesting to look back at how a book started. The idea for In the Lamplight began with research for its partner titles, Lighthouse Girl and Light Horse Boy. Then around 2012, I heard about the Gilgandra Coo-ee March. After heavy losses at Gallipoli, WWI recruiting drives occurred across Australia (Men from Snowy River, March of the Dungarees). Gilgandra was the first.

In October 1915 two brothers gathered a group of 26 men. They set out from Gilgandra on a march to Sydney (320 miles). By the time they arrived, the number of recruits had grown to 263. One of the brothers, Bill Hitchen (plumber and captain of the Gilgandra rifle club),  died at Harefield in September 1916. Bill’s story inspired me and I was curious to learn more.

Fast forward to 2013 when I accompanied my husband on a trip to Albany’s sister city, Pèronne for Remembrance Day. Before flying home we had a day in London. While Pete walked around Westminster, I caught a train and bus to Harefield village, on the outskirts of London to visit Bill’s grave. A kind local helped me with directions. We began chatting and she walked with me to St Mary’s Anzac Cemetery, the resting place of Bill, 111 of his fellow soldiers and Sister Ruby Dickinson. I found Bill’s grave and then visited the Anzac Wing of Harefield Hospital, learning how in 1914 the Billyard-Leake family (expat Australians) donated their home, Harefield House for recuperating Australian soldiers to use for the duration of the war.

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at the grave of Bill Hitchens (Gilgandra Cooee

The Anzac wing also held photographs; evocative WWI images of recuperating patients and nurses. One photo captured my attention. It was a photograph of a nurse stroking a wallaby mascot. I’ve since found another AWM image of the wallaby, ‘Jimmy’ (sometimes named Jimony) being fed by the same nurse, who I discovered is Nancy Birdwood, daughter of General Birdwood (commander of the Australian Imperial troops). Nancy volunteered at Harefield Hospital and later married a West Australian airmen, but that’s another story…

Some readers know my fascination with WWI animal mascots. This began during the creation of Light Horse Boy and has continued to grow. I suspected that Nancy’s wallaby could be the same fellow that stands proudly to attention in the AWM photograph below (I love this photo). I wanted to find out more about the wallaby’s story and will post more about Jimmy in a future blog.

Harefield House became the 1st Australian Auxiliary Hospital, sometimes treating up to 1000 patients. The first nurses, led by the very capable Matron Ethel Gray, arrived in May 1915. As casualties increased, life in the small village of Harefield changed forever. The village green was filled with homesick soldiers in their distinctive slouch hats. Kind-hearted villagers did all they could to help the young men so far from home. They read to patients, taught them handicrafts and French, took the men for automobile outings and organised concerts and sporting matches.

Deciding which WWI images to include in my book was a challenge. There were so many great photos. My favourites include patients skating around the frozen lake with the support of chairs, Jimmy posing with the brass band, as well as one moving photograph of a one-legged lad playing cricket with laughing nurses fielding. The lad looks so young.

More sombre photographs are also included; of funeral parades and shell-shocked amputees. During WWI over 50,000 Australian soldiers were treated at Harefield Hospital. Towards the end of the war, when Spanish Influenza ravaged Europe, there were deaths most weeks. Strong lads who’d survived months in the trenches, sometimes died within a day from this terrible illness as their lungs filled with fluid.

Harefield villagers lined the streets to honour funeral parades from the hospital to St Mary’s cemetery. The first death was in February 1916. As Private Robert Wake’s coffin passed the Junior School, headmaster Jeffrey ran inside, pulled a flag from the classroom wall and draped it over the bare coffin. This flag was used in subsequent funeral processions and still exists today (more on that next week). Connections between Harefield and Australia remain strong and I’m grateful to Harefield residents for their historical advice; particularly Lorraine Piercy and Andy Harris. Each Anzac Day, local schoolchildren lay flowers against the headstones for the Australians who died in their village.

Lest we forget.

Next week I’ll share two stories linked to In the Lamplight; the Anzac quilt and the Harefield flag. I am grateful for funding support from the Department of Local Government, Sport and Cultural Industries.

‘In the Lamplight’ – background #1

With less than a month until publication I’m now on countdown to the launch of In the Lamplight the third and final book in my ‘Light’ series. From today, I’ll be writing a weekly blog post sharing details about my research and writing journey, but first, I’d like to acknowledge the generous support of the Department of Local Government, Sport and Cultural Industries. dlgsc-logo-colour-rgb-jpgI’m the very grateful recipient of a Commercial Development funding grant which will allow me time to maximise interest in this new title and also help me try and gain a footprint in the elusive and hard to crack UK market. Wish me well and I hope you’ll follow my blog journey over the next weeks.

I’ll be writing about In the Lamplight‘s links to WWI Harefield (UK) and the 1st Australian Auxiliary Hospital that grew out of an expat Australian’s English manor house. We’ll meet Jimmy the wonderful wallaby mascot that hopped around Harefield village and some of the soldiers and nurses that served in Harefield during the war. I’ll share the history of the Anzac flag and its links to Adelaide High School. I’m also keen to post photos and information I discovered as part of my research about the suffragette movement, WWI nursing and changing roles of women, as well as after effects of the war and the horrors of the 1918/1919 worldwide Spanish Influenza pandemic (more deaths were attributed to influenza than entire war casualties).

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illustration: Brian Simmonds

Next week my blog focus will be on Harefield, the English village just north of London (and setting of In the Lamplight), its WWI cemetery and ongoing Anzac links…

A Peek into the Illustration Process

 

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Heather Potter, the talented illustrator of Nanna’s Button Tin has kindly given me A3 photocopies of around twenty pages from her sketch pads to share with students during school visits. These pages are now laminated so that children will be able to examine samples of character development as well as see some of the magic behind cover design and page design.

I love seeing illustrator’s character sketches. In the published book Nanna wears the same white shirt and pink vest that she does in the top left image, however her pants changed to a slightly different floral design in the final.

The sketches on the right give some insight into how much work goes into every page, in this case, the scene where Nanna first met Pop. I love the pigeon on Pop’s head.

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Heather also created a recurring page design that links to sewing and buttons. On four pages she used a thread line to split the right hand side page into two. The above sketches show some of the ideas she was exploring – the dog licking image is almost the same as a final image in the book.

Thank you Heather. Working with illustrators, watching them bring characters and ideas to life is one of the joys of being a children’s author.

 

 

 

Year of the Earth Dog

Happy Chinese New Year.

For me celebrating the Year of the Earth Dog is timely as I have been hunkered down this week, completing a final (I hope) edit of The Dog with Seven Names. It’s a young YA novel set in the Pilbara during 1942 told from the POV of a dog. Yes, I can’t seem to get enough anthropomorphism!

While I’m a boring old buffalo, those lucky people born in dog years are honest and loyal with a strong sense of duty, just like my main character; Flynn/Princess/Gengi + 4 other names.

Welcome to Dianne Wolfer's Website

The research for this book has been fascinating and I’ve learnt so many things about WW2 Australian history. My dog character is a terrier cross, smaller than Harry (pictured above) and writing a story using dog senses has been both fun and challenging.

The Dog with Seven Names will be published by Penguin Random House in August 2018 (assuming I finish this draft!) and I’ll post more news and a sneak peek of the gorgeous cover in a few months. In the meantime, may your Earth Dog celebrations be joyous.